The Thunder-God and the Thug! Featuring: Thor Release: December 3, 1962 Cover: February 1963 12 cents Plot: Stan Lee Script: L.D. Lieber Art: Jack Kirby Inking: Dick Ayers 13 pages
I read this story in Marvel Masterworks: The Mighty Thor vol. 1.
Ray Holloway is credited as the letterer. First credit we have seen for him. Art Simek has been doing most of the lettering when it’s been credited.
As with his battle against the Soviets, fighting mobsters is unworthy of Thor’s power. They really don’t stand a chance. The only trick that works is taking a hostage, usually Jane.
The Day that Ant-Man failed! Featuring: Ant-Man Release: November 8, 1962 Cover: February 1963 12 cents Plot: Stan Lee Script: L.D. Lieber Art: Jack Kirby Inking: Sol Brodsky 11 pages
We’re 6 issues in to these Ant-Man stories, and it’s time to state the obvious conclusion: they’re not very good. Now, the first story in issue 35 was good. It was a clever story about a scientist quickly having to put his inventions to work to stop some Commies. But it then falls apart. Somewhere between issue 35 and 36.
In issue 35, Ant-Man is forced to be born by circumstance– he has hostages to rescue. The issue ends with him musing whether he will ever be forced to become Ant-Man again. Issue 36 begins some time later. Ant-Man is now a regular crimefighter, internationally famous, beloved by people and law enforcement, who has specially constructed an ant-sized headquarters in his home, and who uses his network of ant friends to help him find crime to battle.
That’s a pretty big leap. It’s possible there’s some interesting character development there– but we don’t see it. In that first story, Dr. Pym had lab assistants. We’ve since met nobody else in his life: no friends, no colleagues, no love interest. The entire story in each issue is devoted to the mission. We learn nothing about his inner life, nothing about his personal life, and get no good sense of why he is Ant-Man. He just battles boring villain after boring villain (plus one giant beetle— that was cool.)
The Vengeance of Loki!
Featuring: Thor
Release: November 1, 1962
Cover: January 1963
12 cents
Plot: Stan Lee
Script: L.D. Lieber
Art: Jack Kirby
Inking: Dick Ayers
13 pages
Loki is Thor’s first repeat villain. Coming up with new villains every month is exhausting, so it’s worth repeating the best ones. Loki was the best one. (His competition is: the Stone Men from Saturn, the Executioner, Zarrko, and some Soviet soldiers.) The Fantastic Four have now fought Doom and Sub-Mariner three times each. Human Torch has faced off twice against the Wizard. Ant-Man hasn’t had a repeat villain yet, but I suspect we’ll see the return of Egghead soon enough. Hulk has a persistent nemesis in Thunderbolt Ross, but otherwise hasn’t encountered any actual villains twice. I think repeating villains is good, unless it’s overdone. It is how you develop good rivalries and get an arch-nemesis. But once Joker appeared in the old Batman comics, he started showing up in every single issue of Batman. It’s a balance of having some variety in the foes while giving a chance for a proper rivalry to develop. So far, these comics are doing well enough on the variety side.
We see Heimdall at his post for the first time, guarding the Bifrost. Loki is forbidden to leave Asgard, so he must somehow sneak past Heimdall. He does so by disguising himself as a snake. I really thought of Heimdall as being better than that.
His name was… Merlin! Featuring: Merlin Release: December 12, 1961 Cover: March 1962 12 cents Credits: Stan Lee and Steve Ditko 5 pages
This is a late entry. But now that Merlin’s been mentioned as the ancient enemy of Tyrannus, I realize he did have a single earlier appearance in the Marvel Age. Again, these famous mythological figures were common fodder for Marvel’s old weird tales. There’s not necessarily a connection between these isolated stories and the characters who appear in the Marvel superhero stories. But it’s not clear there isn’t. And in hindsight, I wish we had covered this way back in the beginning. It came out the same day as Fantastic Four #3.
This was a pretty standard fantasy tale in one of these anthologies. We’ve seen the exact summary before: a dishonorable man gets what’s coming to him through a mystical twist when he picks the wrong victim to mess with. We’ve seen this in an Odin story and a Medusa story.
The Incredible Hulk vs The Hordes of General Fang! Featuring: Hulk Release: November 1, 1962 Cover: January 1963 12 cents Script: Stan Lee Art: Jack Kirby Inking: Dick Ayers 11 pages
I read this story in Incredible Hulk Omnibus vol. 1.
There are ways in which Stan and Jack are ahead of their time on social issues, and ways in which they are not. Their depictions of Asian people remain pretty racist. It will take a couple decades before Marvel is able to do much better. General Fang is an awful stereotype, and the story is more cold war propaganda, depicting the forces of Red China as strangely-drawn, yellow-skinned, and cartoonishly evil. Even the Asian people depicted as allies–including the citizens of Llhasa (Lhasa, Tibet) and the soldiers of Formosa (Taiwan)– have cringeworthy depictions.
Beauty and the Beast! Featuring: Hulk Release: November 1, 1962 Cover: January 1963 12 cents Script: Stan Lee Art: Jack Kirby Inking: Dick Ayers 11 pages
I read this story in Incredible Hulk Omnibus vol. 1.
In a twist from the usual, the titular “Beauty” in this story is likely a man: Tyrannus by name. At least, that’s my interpretation of the title, given how beautiful he is. Though I guess he’s more of the Gaston character in the story. So maybe Betty is the beauty. Hmm… well, let’s read on.
Who is the Beauty in the picture?
Dr. Banner is the top scientist on Ross’ staff, assigned to help capture the Hulk. Rick Jones is his assistant. But Rick is known to have connections to the Hulk: they have been seen together often; Rick has been seen riding on Hulk’s back; in fact, the military once asked Rick to bring the Hulk to them and he did; then, Rick took over the controls of a military rocket and helped Hulk escape. Ross is well aware of all this. And yet Rick is still part of the government team to help capture Hulk.
The Return of the Wizard! Featuring: Human Torch Release: November 8, 1962 Cover: February 1963 12 cents Plot: Stan Lee Script: Larry Lieber Art: Jack Kirby Inking: Dick Ayers 13 pages
I read this story in Marvel Masterworks: The Human Torch vol. 1.
It’s time to reflect back on this series so far: it’s not very good. Now, the Fantastic Four comic is pretty good. This has the same creators and features a character from that comic. But they don’t seem to be bringing their A-game to this title.
There’s a couple things to notice about the Fantastic Four comics. The first is that Johnny has a pretty minor role in those stories. Most of the focus and character development is on Reed and Ben. Those are the characters Lee and Kirby seem interested in, notably the two male characters about their age, as opposed to the woman and teenager, who almost seem to be there as token characters.
Also, notice the Fantastic Four comic never gives any hints that this series exists. It’s never mentioned Glenville. Johnny continues to be open about his Human Torch identity there, while hiding it here. Johnny seems to always be in the Baxter Building; it seems like he lives there. Johnny’s solo adventures are just never mentioned.
The Impossible Man Featuring: Fantastic Four Release: November 1, 1962 Cover: February 1963 12 cents Story: Stan Lee Art: Jack Kirby Inking: Dick Ayers 11 pages
I read this story in Fantastic Four Omnibus vol. 1.
In some ways, this is a fill-in issue of FF, a break from their serious adventures. The first half of the issue gave the team to address their real-life letters in-story in an extended letters page. This half features a gag character. He reminds one of DC antagonists such as Bat-Mite or Mr. Mxyp– I mean Mr. Mxyzpl– I mean, that imp who annoys Superman.
The adversary is from the planet Poppup, a race that has learned to instantly evolve. The Impossible Man is essentially unbeatable, but not really a villain. Their initial conflict is just intergalactic cross-cultural misunderstanding; later, the Impossible Man is just trying to amuse himself. The FF should probably have tried to deescalate and defuse the situation.
A Visit with the Fantastic Four Featuring: Fantastic Four Release: November 1, 1962 Cover: February 1963 12 cents Script: Stan Lee Art: Jack Kirby Inking: Dick Ayers 11 pages
I read this comic in Fantastic Four Omnibus vol. 1.
I find this story interesting for all the biographical details we get filled in, even the stuff that contradicts the other stuff.
We learned last issue that Stan and Jack are characters in the Marvel Universe, publishing Fantastic Four comics. On the opening splash page, we see a new issue has come out. One child is excited to get his letter published. This is the second time we’ve seen the fan letters addressed in story. I’ll repeat what I said then: this is where Stan shines, interacting directly with young readers.
I like how popular they suggest their own comic is within the comic.
We then get a cute scene where they come across kids playing “Fantastic Four” and introduce themselves. Reed suggests the boy playing him ought to give flowers to the girl playing Invisible Girl. They offer a message to kids: don’t play with fire at home.
The Human Torch Meets Paste-Pot Pete! Featuring: Human Torch Release: October 9, 1962 Cover: January 1963 12 cents Plot: Stan Lee Script: Larry Lieber Art: Jack Kirby Inking: Dick Ayers 13 pages
I think it goes without saying that Paste-Pot Pete is one of the greatest super-villains of all time. And that he has one of the greatest names. And therefore– I will say no more.
