Comic Books – Page 59 – Coke & Comics

Tales to Astonish #44

The Creature from Kosmos!

Featuring: Ant-Man and the Wasp
Release: March 5, 1963
Cover: June 1963
12 cents
Plot: Stan Lee
Script: H.E. Huntley
Art: Jack Kirby
Inking: Don Heck
18 pages

This is the first we have seen of H.E. Huntley. It is a pen name for Ernest Huntley Hart, known as Ernie Hart. He is freelancing at this point, and will do only occasional Marvel work in the 1960s, but he was an active Marvel writer and artist going back to the 1940s, perhaps most famous for his funny animal comics. He created Super Rabbit in 1943.

In this issue, meet our next Marvel superhero star, the Wasp. In yet another moment of serendipity, she was introduced the same day as Sgt. Fury!

But we already know why he became Ant-Man…

For the last 7 issues, Ant-Man has starred in solo adventures in the pages of Tales to Astonish. Going forward, he will now have a partner. Wasp will be the second female star added to our cast, after Invisible Girl. Most women we’ve met are relatives or romantic interests. No females are yet lead characters, as Wasp seems to get second billing to Ant-Man. And Invisible Girl is the member of the Fantastic Four given the least focus and respect.

Sgt. Fury #1

Sgt. Fury, and His Howling Commandos/Seven Against the Nazis!

Featuring: Sgt. Fury and the Howling Commandos
Release: March 5, 1963
Cover: May 1963
12 cents
Story: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
21 pages

I read this comic in Sgt. Fury Epic Collection vol. 1: The Howling Commandos.

So why are we reading this comic in with the superhero stories? Well, the answer is probably obvious, but let’s think it through a little. What else is Marvel putting out in March of 1963 that I could be reading?

Two western comics: Gunsmoke Western and Rawhide Kid. And a few later time-travel stories will intersect these heroes with our superhero comics, so they’re not irrelevant. The problem is there are so many western comics, going back to well before we started our reading in 1961. The original Two-Gun Kid debuted in 1948, the same month as Annie Oakley #1. Kid Colt, Blaze Carson, Tex Morgan, and Tex Taylor debuted soon after. Point is, we are nowhere near a good jumping on point for the western stories.

There are two romance titles out this month, Love Romances and Patsy and Hedy. As we’ve mentioned, Patsy Walker will eventually become a superhero. But there are also a lot of these comics going back to the 1940s. Patsy’s had a regular feature since 1945.

(Notice that’s also Jack Kirby on the Love Romances comic. So he’s telling a lot of stories in a lot of genres this month.)

There are four fantasy anthology titles, each with a superhero feature we’ve been reading as the lead story. One pure superhero comic.

And now a war comic set in World War II. Why read the war comic with our superhero reading and not the westerns or romance comics?

Two answers, there.

Journey Into Mystery #92

The Day Loki Stole Thor’s Magic Hammer

Featuring: Thor
Release: March 5, 1963
Cover: May 1963
12 cents
Plot: Stan Lee
Script: R. Berns
Art: Joe Sinnott
13 pages

I read this story in Marvel Masterworks: The Mighty Thor vol. 1.

The somewhat awkward title of this story underscores they haven’t yet decided that Thor’s magic hammer should have a name.

I look forward to the first battle with Loki where he doesn’t steal Thor’s magic hammer.

Now, the title also sounds pretty ominous. For we know that if Loki were to steal Thor’s magic hammer, the thunder god would be helpless within 60 seconds. Indeed, that is what happened in both of Thor’s previous encounters with Loki, both of which involved Loki stealing his magic hammer.

Tales of Suspense #41

The Stronghold of Doctor Strange!

Featuring: Iron Man
Release: February 12, 1963
Cover: May 1963
12 cents
Plot: Stan Lee
Script: R. Berns
Art: Jack Kirby
Inking: Dick Ayers
13 pages

Confession time. I just made a dumb mistake here. Got confused by numbers and dates. This post should have come before my previous Journey Into Mystery post, as this issue is from February and the Thor story is from March. It’s a little confusing because both are cover-dated May. The Thor stories always seem a month out of sync in terms of their cover dates for some reason.

Robert Bernstein returns on scripting duties. He will be the regular scripter for a while. This is the first Iron Man story without Don Heck involved with the art (either as primary or finisher). This is perhaps why Tony looks so radically different from the previous 2 stories.

Maybe I’d recognize him better with black hair…

Though part of the problem is that his hair is brown in my omnibus (scanned above). Other modern recolorings make it black. It’s hard to speak intelligently to the coloring of these comics because of how wildly it varies between reproductions.

Iron Man is falling into a somewhat familiar pattern 3 issues in. After a very good origin issue, we get a sequence of pretty forgettable stories. Last issue, he fought Gargantus, and this issue introduces Dr. Strange. Neither of whom am I expecting to show up any time soon in a major motion picture.

Another familiar trope is that we’ve skipped the establishing of the hero. In this issue, the third Iron Man story, the first of which was set in a Vietnam jungle, we learn that children idolize Iron Man. So he, like the rest of the heroes, has fast become a sensation.

Amazing Spider-Man #2, Story B

The Uncanny Threat of the Terrible Tinkerer!

Featuring: Spider-Man
Release: February 12, 1963
Cover: May 1963
12 cents
Story: Stan Lee
Art: Steve Ditko
10 pages

I read this story in Amazing Spider-Man Epic Collection vol. 1: Great Power. Scans are taken from Marvel Tales #139, a 1982 reprinting.

Spider-Man meets his 2nd elderly super-villain in a single issue!

OK, now I’ll have to admit that not every Spider-Man story is a masterpiece. But even at their worst, they’re a cut above. When the issues have an “A” and “B” story, it seems like the effort went into the “A” story.

Even here, we see a lot of the greatness at play. Steve Ditko’s art, of course. But also the coherence of the story, tangling together Peter Parker’s story seamlessly with Spider-Man’s.

The name “Cobbwell” brings to mind “cobweb”. Coincidence? Probably.

There is some type of rule that each of these superheroes must fend off an alien invasion by their second issue. It’s very out of place here.

Amazing Spider-Man #2

Duel to the death with the Vulture!

Featuring: Spider-Man
Release: February 12, 1963
Cover: May 1963
12 cents
Script: Stan Lee
Art: Steve Ditko
14 pages

Previous	#59	Next
Strange Tales #108, Story C	Reading order	Amazing Spider-Man #2, Story B
Amazing Spider-Man #1, Story B	Amazing Spider-Man	Amazing Spider-Man #2, Story B

He thinks I’m just a typical teen-age kid! Good! That’s the way I like it!

So I am going to try something new with this blog. I have mostly been stealing pictures I could find on the internet, but I now have a large nifty scanner working and want to try to make my own scans. Now, for various reasons related to my lack of independent wealth, I don’t own Amazing Spider-Man #2, but I have many reprints.

I’ve largely been reading comics in thick collections, which can be hard to scan with my flatbed scanner. But I have smaller reprints from this story. It was reprinted in Amazing Spider-Man Annual 7, but that is still a bit thick for optimal scanning, and the binding isn’t entirely perfect. I also have it reprinted in Marvel Tales #139. Let me try a few scans for comparison.

Tales to Astonish #43

The Mad Master of Time!

Featuring: Ant-Man
Release: February 5, 1963
Cover: May 1963
12 cents
Plot: Stan Lee
Script: Larry Lieber
Art: Don Heck
13 pages

I read this story in Marvel Masterworks: Ant-Man/Giant-Man vol. 1.

As with the Thor comic released the same day, this issue sports the spiffy new logo box with a picture of the lead character, the price, and the phrase “Marvel Comics Group”.

One of my gateways into the world of superheroes as a child was Batman: The Animated Series. A frequent feature of the show was villain origins that cast them in a sympathetic light. Often they were fired or otherwise screwed over by a corporate bigshot. Riddler, Clock King, Mr. Freeze… all were given origins where you could at least see why they were upset, even if supervillainy is rarely justified.

Professor Weems has such an origin. Fired based solely on his age. With the twist that he had been so excited to show his grandson his lab and his work. Not sure that would even be legal today. They’d at least need some better official story.

Journey Into Mystery #91

Sandu, Master of the Supernatural!

Featuring: Thor
Release: February 5, 1963
Cover: April 1963
12 cents
Plot: Stan Lee
Script: Larry Lieber
Art: Joe Sinnott
13 pages

I read this story in Marvel Masterworks: The Mighty Thor vol. 1.

Joe Sinnott is best known as an inker. We’ve seen him twice so far in that capacity, inking Kirby for the introductions of Thor and Dr. Doom, respectively. This is the first time we see him as the primary artist.

This event was teased already because I chose to read the last Fantastic Four slightly out of chronological order and because I accidentally read the last Strange Tales out of chronological order.

But this is one of three comics released February 5 to sport the spiffy new Marvel logo. The others are Tales to Astonish and Patsy Walker. We are not currently including the Patsy Walker stories in our Marvel reading, not until she becomes more intertwined with the superheroes than she currently is.

There’s a lot going on that will become a feature of Marvel covers for years. The first is that there’s a little box with the picture of the lead character. Now, Journey Into Mystery is still an anthology title. There are two other scifi/fantasy tales within this very issue. But Thor is the star, now. And that little box makes that clear.

Then we get the price, 12 cents. That’s been the price of all the comics since Fantastic Four #3 raised the price from 10 cents. Usually, the price has been in a circle somewhere on the cover. Now it’s in this new logo box.

And then the phrase “Marvel Comics Group”. Previously, there had been the letters “MC” in a little box on the covers.

Here’s how it all looked on the cover of Fantastic Four #1.

INTERLUDE: Strange Tales #108, Story C

The Iron Warrior

Featuring: Merlin
Release: February 12, 1963
Cover: May 1963
12 cents
Script: Stan Lee
Art: Steve Ditko
5 pages

I found this story on this blog.

In an earlier story in this same issue, we saw Human Torch battle the Painter.

We read one earlier Merlin story in the pages of Tales of Suspense, also by Lee and Ditko. That was a modern tale, whereas this one takes us back to Arthurian days.

This era of these “weird tales” is soon coming to an end, as their pages will be given over entirely to these upstart superhero comics soon. We’ve read the occasional one, usually featuring legendary figures who will also appear in our superhero stories.

Merlin is actually quite the important character to our Marvel tales, featuring prominently in Black Knight and Captain Britain tales, though it’s not clear this issue is meant to have any connection. There was a short-lived 50s series called Black Knight in which Merlin was a major character, which will be quite important to our tale. We’ll read a couple of those stories as Prelude issues when they start to impact the stories we are reading here. They were also set in King Arthur’s court.

This is the tale of the jealous Sir Mogard, who challenges Merlin to a duel. Just as we saw in the last Merlin tale, the villain gets what’s coming to him.

Don’t hear the word “bandy” often; last time I heard it was from Gandalf.

This tale also involves a Black Knight, who in the classic series served Merlin against Modred. The original Black Knight was Sir Percy in disguise. This one turns out to be an empty suit of armor brought to life by Merlin. There will be other Black Knights to come.

Strange Tales #108

The Painter of a Thousand Perils!

Featuring: Human Torch
Release: February 12, 1963
Cover: May 1963
12 cents
Plot: Stan Lee
Script: R. Berns
Art: Jack Kirby
Inking: Dick Ayers
13 pages

Kirby is back with Ayers inking after 2 issues of Ayers on main art. They will go back and forth some, but Ayers is going to be the more regular artist at this point. This is the second script we’ve seen by “R. Berns”, Robert Bernstein, who just provided the script for the last Iron Man story. We’ll see him in a few more places.

The basic idea of this comic is fun. The Painter has magic paint that makes whatever he paints come to life. The ending is somewhat absurd, and the story has some severe structural problems.

The splash page is pretty heavily expository and overly explains the plot of the issue, when really it should just be teasing it.

I mean… that’s pretty much the entire story.

We get a couple pages showing how Human Torch regularly helps police capture common crooks. This isn’t the type of thing we see any other FF members doing. It’s a regular activity for Ant-Man and semi-regular activity for Thor.