Featuring: Dr. Strange Release: September 8, 1966 Cover: December 1966 12 cents Script by Stan Lee, defender of the faith! Art by Bill Everett, keeper of the flame! Lettering by Artie Simek, printer of the word! 10 pages
By the Demons of Darkness! By the oath I now speak! Umar commands– reveal what I seek!
At the end of last issue, we briefly met Dormammu’s sister Umar.
Given how weird and cool Dormammu looked, it’s disappointing to see his sister look just like a human woman. You can try to explain it off as these beings having amorphous forms or such. But it mostly seems like a failure of creativity and design.
No credits are given in the issue. The opening page is by Jack Kirby and Joe Simon. The rest of the art is by Al Avison, Syd Shores, and George Klein. Those are the credits given in the Golden Age Captain America Omnibus. The GCD credits the entire story to Jack Kirby and Joe Simon, but I believe they are incorrect.
We just read the beginning of Iron Man’s second battle with Titanium Man in Tales of Suspense #81. We had previously read the conclusion of that issue, which featured Captain America’s epic battle with Red Skull and his Cosmic Cube. Before we get to issue 82, I’d like to peek back at this old Captain America story, which introduces the villain Fang.
Fang is an Asian villain, and thus probably a racist stereotype of a character like most Asian villains in the 1940s. And the 1960s.
We learn Fang is based on San Francisco’s Chinatown. He meets with an agent of an “Asian aggressor nation”. I interpret that Asian aggressor nation to be Japan, particular given the agent’s surname of “Nushima”, though the comic prefers not to specify.
After all, America wasn’t at war with Japan in June 1941 when this comic was released.
“Zowie! He’s the ever-lovin’ gearest! Far as I’m concerned, the mods have had it! That crazy cape really comes on strong!” “Man! Like there’s a boss bunch’a threads! That dad is gotta be what’s happenin’!”
The first issue of Dr. Strange without Steve Ditko. I think the first Spider-Man stories without Steve Ditko actually went pretty well. That John Romita guy is doing all right. But what even is Dr. Strange without Steve Ditko?
Stan Lee never cared about Dr. Strange. He never understood the character. He never understood the character’s appeal. He accepted the character had fans and was fine with that.
You can see this in his treatment of the character. The gap between the early issues, the character rarely being featured on the cover, the story always the back story of each issue, behind Human Torch and then Nick Fury.
He wrote the character for dozens of issues, but almost all the writing really came from Ditko.
On the other hand, Stan Lee loved Spider-Man. And you can tell. There are eternal disagreements over how much of the character and stories come from Lee and how much come from Ditko. But it was a much more collaborative process than Dr. Strange ever was, at least early on. And Stan Lee loved the character of Spider-Man like a son.
So when Ditko left Spider-Man, Lee put everything into making sure the next issue would keep the readership. He found the best artist for the job, told an extraordinarily eventful story, and plainly put his all into assuring readers that Spider-Man would continue to be great after Ditko.
For the first issue of Dr. Strange without Ditko… Lee writes half the script then hands the back pages to his new hire to write, a guy who’s scripted like 5 comics by this point. He just doesn’t care.
This is the second recent comic to refer to Stan Lee as being on vacation. Some reprints of this issue omit that, and change the credits to read “Smilin'” instead of “vacationing'”.
Bill Everett isn’t a bad choice for artist. He created Sub-Mariner and Daredevil. He’s been doing solid work illustrating the Hulk. But Ditko brought something wild and unique to these pages, while Everett is, well, less wild.
Though I’ll give him some credit for this image. He’s certainly taking his best shot at being Ditkoesque.
Featuring: Dr. Strange Release: January 10, 1964 Cover: April 1964 12 cents Story conjured up by: Stan Lee Illustrated by the Strange Sorcery of: Steve Ditko Lettered at midnight by: Art Simek 8 pages
This issue is most notable for finally giving a name to Dr. Strange’s house servant. His name is Wong.
We had seen him twice before but without being named. Here he is in #110 and #116.
Here he is in the Dr. Strange film played by Benedict Wong. Is it coincidental that Wong is played by a Wong? A glimpse at Wikipedia tells me that over 7% of people in China have the surname Wong or a variant. So it’s not an astronomical coincidence.
Featuring: Dr. Strange Release: October 8, 1963 Cover: January 1964 12 cents Written by: Stan Lee Illustrated by: Steve Ditko 8 pages
Since when is 8 pages feature-length?
We see Dr. Strange and Nightmare go at it again. Nightmare is the ruler of the Dream Dimension. He has found a way to put some humans into an endless sleep, which will trap them as his prisoners.
This greatly reminds me of the 1988 DC comic, Sandman #1, by Neil Gaiman, Sam Kieth and Mike Dringenberg. That tells the story of Sandman, also ruler of the dream dimension, and the plot of the issue involves a very similar sleeping sickness.
Featuring: Dr. Strange Release: April 9, 1963 Cover: July 1963 12 cents Story: Stan Lee Art: Steve Ditko 5 pages
The cover focuses on the epic battle between Human Torch and the team of Wizard and Paste-Pot Pete. It makes no mention of any backup stories, not the space adventure that follows it, nor this story shoved into the back.
It’s only 5 pages long. Just like the sci/fi tale that preceded it. A story of a bad man with a problem who encounters some mystical force and gets his comeuppance– recall for example the stories we’ve read with Odin, Merlin, or Medusa.
It seems like not really one of our superhero stories; it’s just like these weird tales that have populated these anthologies for years, and have continued to populate the end of these anthologies which all now begin with a superhero story.
Looks like we’ll meet again.
Now, one of those weird tales did grow into something more in the superhero era. The Man in the Ant Hill used his shrinking formula again–now with a costume and a superhero name–to become Ant-Man.
There is one thing differentiates this story about a mystic from other weird tales. A small note at the end that tells us this character will return.
Seems fitting. After all, the comic is Strange Tales. What is so strange about Human Torch stories? Dr. Strange, Master of Black Magic, seems a much more natural fit to headline such a comic.
It does note he’s a different kind of super-hero.
Some argue that Dr. Strange is not a superhero, that he comes from a different archetype, an older one. The wizard; or the mage. But Stan Lee describes him as a “super-hero” right there on page 1. So that’s good enough for me to call the character a superhero.
Dr. Strange is the creation of Steve Ditko and Stan Lee, but really probably almost entirely Steve Ditko. Let’s see what we’ve got in his inaugural appearance.
Cool gloves. Mustache. Amulet. A cool design on the door window. Astral projection. Some unfortunate Asian stereotypes. The evil Nightmare from the dimension of dreams.
