Sigh. This time last week I would have been tuning in to the latest episode of Wandavision. Alas, it has come to an end. Where to get my fill of Wanda and Vision now? Well, the answer is obvious. Comics!
I loved Wandavision very much. I spent the past several weeks pulling out comics from my boxes that Wandavision brought to mind. My nightstand has been a stack of Vision and Scarlet Witch comics constantly on the verge of tipping over. I thought it would be fun to share what I’ve been reading and more.
I’d like to give you an overview of the history of Vision and Scarlet Witch in the comics, point out some of the stories which seemed like direct influences on Wandavision, and make some recommendations of what you can read if you are craving more of Wanda and Vision.
The history of these characters can actually be quite convoluted. I’m not inclined to spare you any details.
HOWEVER, we will not be attempting to understand Wanda’s powers today. That… will have to wait for another day.
Due to its length, this post is broken into 5 pages:
Origins: The introduction of Wanda and Vision. (1939-70)
Love story: Wanda and Vision meet, fall in love, and get married. (1970-75)
Family: Wanda and Vision deal with their extended family, buy a house in the suburbs, and grow their family. (1976-86)
Things fall apart: Wanda and Vision find there is no happily ever after. Plus: Jimmy Woo, Monica Rambeau, and SWORD. (1989-2017)
Featuring: Marvels Release: November 9, 1993 Cover: January 1994 $5.95 Writer: Kurt Busiek Artist: Alex Ross Letters: Starkings w\ John Gauhsell Editor: Marcus McLaurin Assistant editor: Spencer Lamm Editor in Chief: Tom DeFalco Cover design & logo: Joe Kaufman Interior Design: Comicraft 45 pages
When this is over, I’d said. When would that be? It would blow over. The world wouldn’t stay like this. It couldn’t. Could it?
The 4 (or so) issues comprising this series are pretty close to being the best comics I have ever read. They inspire the journey we are taking here, where we read through the entire Marvel Universe starting in 1961, and I want them to frame the journey we are taking.
Through a man named Phil Sheldon, an “ordinary” photojournalist, we see a holistic view of all these many interconnected stories of Marvels, cohesing into a single narrative, leading us to understand that this world is not our own, and helping us imagine what it might be like to live in that world.
The tagline reads: “Experience the Marvel Universe from a whole new perspective– yours.”
We read Marvels #0 pretty early in the project, right after meeting the original Human Torch, who we introduced after meeting the new Human Torch.
Marvels #1 deals with Marvel’s Golden Age, stories from the 1930s and 1940s. We are reading it now in our reading order because we have met enough Golden Age heroes to justify it. Really, it comes down to the big three: Human Torch, Sub-Mariner, and Captain America. But our reading about characters like Angel, Electro and Black Widow will also help us appreciate the details.
And if there’s one word that can describe this comic, it’s “detailed”. Sitting in a hotel room in Dresden with the intent of doing a deep dive into this issue, I have the original comic in my hand, but also the recent annotated edition which can serve as a guide. Plus some Golden Age and other reference material.
With all that in front of me, I would like to look very closely at this comic; consider those details, and try to do so without losing sight of the powerful emotional journey in front of us, one that will seem very familiar in the year 2020.
I think I’ve already gushed at sufficient length over the creators Kurt Busiek and Alex Ross in our recent Astro City discussion, so we’ll jump right into the story.
A Time of Marvels
The bystanders had seen the stories in the paper– seen them, chuckled and dismissed them. But it’s one thing to read about the impossible– and another to look it in the face.
The story opens in 1939 with reporters talking about the tensions in Europe. Phil Sheldon is an ambitious photojournalist looking for an assignment overseas. His fellow reporter–resembling a young J. Jonah Jameson down to a well-placed shadow beneath the nose where Jameson’s mustache will eventually be–muses that one day he will be the one running the Bugle. Phil is off to cover a press conference with a scientist who he expects to be a crackpot, one Phineas T. Horton.
In 1989, I was in Walgreens and my mother suggested I pick out a comic book from the newsstand. Thirty years and some 40,000 comics later, she has had time to regret that moment. On that day, I began a hobby which has consumed a large amount of my life’s attention and energy.
The comic was Avengers #309. I think I picked it out because I recognized some of the characters from cartoons I had seen. Thor, Captain America, Sub-Mariner. Perhaps I recognized She-Hulk. The other two characters on the cover were new to me.
The issue begins in the middle of events. Our characters stand atop a giant crater. The top reads, “Stan Lee PRESENTS: The MIGHTY AVENGERS!” Then in bolder letters, “TO FIND OLYMPIA!” Olympia is written is this cool gold font.
The story doesn’t end with this comic any more than it begins. By the final page, Thor is the only Avenger left standing and facing off against Blastaar. We get a little blurb which reads, “Next: The end of the Eternals? The end of the Avengers? You must not miss… Death in Olympia! In 30 days!!” The word ‘Death’ is written in this cool blood-dripping font.
