The Vengeance of the Scarlet Beetle! Featuring: Ant-Man Release: October 2, 1962 Cover: January 1963 12 cents Plot: Stan Lee Script: Larry Lieber Art: Jack Kirby Inking: Dick Ayers 10 pages
I read this comic in Marvel Masterworks: Ant-Man/Giant-Man vol. 1.
Through the eyes of an ant…
Jack Kirby is a pretty great artist. But he’s also churning out a lot of comics, drawing all 4 of Marvel’s superhero comics to premiere this month. He seems to put most of his energy into making Fantastic Four as good as he can, and treating the others as after-thoughts. But this comic shows plenty of splashes of greatness, beginning with the cool perspective of the first panel, and continuing with Kirby’s depictions of a war with a variety of insects.
Betrayed by the Ants!!
Featuring: Ant-Man
Release: September 11, 1962
Cover: December 1962
12 cents
Plot: Stan Lee
Scrtipt: Larry Lieber
Art: Jack Kirby
Inking: Dick Ayers
10 pages
I read this story in Marvel Masterworks: Ant-Man/Giant-Man vol. 1.
Johnny Dee is credited with the letters. I believe this is a pen name for Jon D’Agostino.
We open with a meeting of organized crime, who have been stymied by Ant-Man… I must pause here and reflect. We’ve seen Ant-Man triumph over villains so far by tying their shoelaces together and blowing dust in their face with a fan. We’ve seen Ant-Man almost defeated by a box and a vacuum cleaner. I have trouble believing he is so much of a threat that criminals haven’t dared pull a robbery in weeks. And if Ant-Man is this much of a threat, what will these same criminals do when–any moment now–the streets start filling up with costumed vigilantes, many much bigger than an ant?
Trapped by the Protecter!/Face-to-face with the Protecter! Release: August 2, 1962 Cover: November 1962 12 cents Writers: Stan Lee and Larry Lieber Penciler: Jack Kirby Inker: Dick Ayers 13 pages
I read this story in Marvel Masterworks: Ant-Man/Giant-Man vol. 1. I took the credits above from the collection. I see no credits within the story itself.
I guess people can hear him now
In his first outing, a difficulty Ant-Man had was that nobody could hear him in ant-size. They haven’t specifically addressed how he overcame that, but he clearly has. Perhaps speakers are built into his helmet.
Again, we see Ant-Man as the most active superhero, using his ants to patrol so he can find his way to crime scenes and help investigate. This will become an increasingly common practice for people in this world, but nobody else is really doing it yet.
Who just rents a jewelry store on a whim?
As part of a trap, Henry Pym rents a jewelry store. That doesn’t sound cheap, suggesting a certain affluence on Dr. Pym’s part. It seems like it would have been easier to have his ants stake out other jewelry stores.
This story introduces the evil Protecter, who is extorting jewelers by threatening to destroy their merchandise with a disintegrating ray. The story has a lot of beat similarity to the Human Torch tale we recently read. There is a villain, and it ends with an unmasking of the villain, who turns out to be the only other character the story bothered to name. We also learn other secrets of the villain, like in this case he didn’t really have a disintegrating ray. He just created a flash and quickly (and entirely implausibly) gathered up gems and sprinkled sand. (How long is that flash? This is a guy in a big mechanized suit– how fast is he?)
The Challenge of Comrade X! Featuring: Ant-Man Release: July 10, 1962 Cover: October 1962 12 cents Writers: Stan Lee and Larry Lieber Penciler: Jack Kirby Inker: Dick Ayers 13 pages
Some time has passed since the previous issue, which ended with Henry Pym pondering: “Will I ever be forced to become Ant-Man again?”
Turns out, it didn’t take much forcing. He immediately began positioning himself to find and stop crime, and has made a name for himself, trusted by the police and public.
The FF stories used a similar gap. Had their first tale tell of their first adventure, but jumped forward for their second tale, to where their heroism had already become routine and they had gained public acceptance.
The Return of the Ant-Man/An Army of Ants!/The Ant-Man’s Revenge! Featuring: Ant-Man Release: June 5, 1962 Cover: September 1962 12 cents Writers: Stan Lee and Larry Lieber Penciler: Jack Kirby Inker: Dick Ayers 13 pages
So great a discovery must not melt into nothingness! I must concoct the serums again!
The credits are taken from the table of contents for Marvel Masterworks Ant-Man/Giant-Man vol. 1. The book’s table of contents gives the credits I put above. I don’t see any credits in the actual issue.
June 5, 1962. Marvel introduces Spider-Man. And their take on the mythological Thor. Also: their scientist Henry Pym gets a costume and superhero identity and becomes Ant-Man. A decent chunk of the cast of Avengers: Endgame was introduced on that day. Stan Lee was involved in all three. Jack Kirby designed Thor and Ant-Man and was involved in initial designs for Spider-Man, before Steve Ditko came on board. Larry Lieber was involved in scripting for both the Thor and Ant-Man stories. That’s a lot of simultaneous creativity going on for a small group of people.
To recap, in Tales to Astonish #27, we met Dr. Henry Pym. He was a mad scientist type, in a story that seemed similar to many others of the time, likely intended as a one-off. We get a recap in this issue, which describes it as a “nightmarish story”. I mean, I guess if you hate ants.
But 8 issues later, Henry Pym returns. At the end of the last story, he decided his shrinking serum was too dangerous and destroyed it. Here, we learn he had a change of heart a few weeks later. He decided to concoct a new serum and hide it away until the world was ready. Wait… if he still thinks the world isn’t ready for the serum, why make a new one only to hide it? Why not just wait to make the new batch? Unless you expect an urgent need for it?
The Return of the Gorilla-Man Release: January 9, 1962 Cover: April, 1962 12 cents Credits: Jack Kirby and Dick Ayers 7 pages
The issue has no credits. The Grand Comics Database identifies the artists as Jack Kirby and Dick Ayers, and guesses the writing credits are due to Stan Lee and Larry Lieber. I think Marvel only had two writers at the time, so this is a reasonable guess.
Featuring: Gorilla-Man Release: November 9, 1961 Cover: February, 1961 12 cents Credits: Stan Lee, Larry Lieber, Jack Kirby and Dick Ayers 7 pages
This is a tangential story, but it seemed worth including. Unlike Henry Pym last issue, Herr Radzik is a mad scientist bent on evil. He’ll also become less prominent of a character.
He is an evil scientist who invents a ray to switch bodies. He first changes places with a cat (I perhaps would have stayed there) and then decides a gorilla will be the ultimate form. His ambitions involve stealing money as a gorilla, and such. But, once he puts the gorilla into his body, the gorilla is able to use its new human brain to outsmart him and lock him in a zoo.
The Man in the Ant Hill Release: September 28, 1961 Cover: January, 1962 10 cents Story: Stan Lee and Larry Lieber Pencils: Jack Kirby Inks: Dick Ayers 7 pages
I read this in Marvel Masterworks: Ant-Man/Giant-Man vol. 1. The story gives no credits, but the collection does. Some online sources break that down as crediting Stan with the plot and Larry with the scripting.
The opening splash pages serves as a title page and cover for the story.
Marvel stands on the precipice between its era of short sci/fi tales and its era of superheroes. This comic comes out the same day as Fantastic Four #2 and fits squarely in the former category, a short cautionary sci/fi tale about a mad scientist. Not clear what the theme is. Be careful of inventing stuff, I guess.
