PRELUDE: Captain America Comics #16, Story D

Red Skull’s Deadly Revenge!

Featuring: Captain America
Release: April 30, 1942
Cover: July 1942
10 cents
Story by: Stan Lee
Art work by : Al Avison
24 pages

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Captain America Comics #7PreludeYoung Allies #4
Sgt. Fury #16Reading orderTales of Suspense #65

Joe Simon and Jack Kirby created Captain America and were the driving force and primary creators behind the first 10 issues. But they left for the competition, for the company that would be DC.

That perhaps understates what happened. They learned publisher Martin Goodman had been cheating them out of royalties with shady accounting practices, and so started considering leaving the company. Goodman learned of their intentions and fired them before they could quit, losing his most successful creators in the process.

Stan Lee, now 19 years old, has since taken over the role of editing the Captain America stories, and had long been the writer on many backup features in the series, including Headline Hunter, Hurricane, Father Time, and the Imp.

This is his first credited Captain America comic story. (His first Captain America story was the prose piece in issue 3.)

His distinctive narration style is already recognizable even at a young age, filled with excitement and hyperbole. “…most dangerous adventure of their amazing, thrill-packed careers!”

We get a cool double splash page for the feature image.

Was he wearing his skull mask in prison? Why?

Red Skull apparently died at the end of most of his appearances, but he was captured at the end of issue 7, so opening with him in prison is correct. Somebody is paying attention.

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Tales of Suspense #64, Story B

Among Us, Wreckers Dwell!

Featuring: Captain America
Release: January 12, 1965
Cover: April 1965
12 cents
Writer: Stan Lee
Illustrator: Jack Kirby
Delineator: Frank Ray
Letterer: S. Rosen
10 pages

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PreludeCaptain America Comics #1, Story C
Tales of Suspense #64Reading orderStrange Tales #131
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This is an extremely close retelling of the second story from Captain America Comics #1, which we covered back when Captain America first returned in Avengers #4.

The original story is most notable for being Captain America’s first case and for introducing Betty Ross.

I see I didn’t go into great detail on the plot in that post, writing this:

The story of the comic doesn’t make any sense whatsoever. I can’t begin to try to explain it and I’m not sure it’s worth considering all the many ways in which it makes no sense. Suffice it to say they stop the bad guys.

We’ll delve deeper here.

Last issue was a close retelling of the first story from Captain America Comics #1, which was the story of Captain America’s origin. Next issue will be a retelling of Captain America’s first battle against Red Skull from the same issue. It makes sense why one might want to revisit those two stories. And then there’s this one.

The original stories are by Joe Simon and Jack Kirby. Joe Simon’s name should probably have been in the credits of this comic, as it’s based so closely on his original story. The plot owes more to Simon than many of the comics Stan Lee claims “plot” credit on owe to Stan.

My issue with the original is that I didn’t really understand what Sando and Omar brought to the scheme. There were Nazi saboteurs in America successfully blowing things up. Why have a member of your crew go onstage and warn people about the attacks in advance by pretending to be psychic? The comic didn’t really try to explain.

Let’s compare the new one to the original. The first thing we will notice is the new one fits into very regular grid patterns that make it easy to crop out groups of panels. The original felt bound by no such structure, so the croppings will all be imperfect.

Looking to the opening splash pages, the crystal ball image is very close. The changes fit Kirby’s more dramatized style and generally make a more modern splash page. Omar is a little less freakish in the new one. The biggest loss is Sando, whose fingers had an unusual positioning in the original, almost suggesting his role as puppeteer. Kirby opted for a more standard-for-Kirby dramatized positioning.

The modern comic claims to be “introducing” Sando and Omar. This seems blatantly false, as they were obviously introduced 25 years earlier.

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PRELUDE: Captain America Comics #2, Story B

Trapped in the Nazi Stronghold

Featuring: Captain America
Release: February 10, 1941
Cover: April 1941
10 cents
By: Joe Simon and Jack Kirby
15 pages

Notice that for the second issue in a row, Captain America is attacking Adolf Hitler on the cover. A disappointing thing about the first issue was that the scene was not reflected inside the comic. This comic makes up for it with this second story. Which is of course why we are reading it. To actually see Cap sock Hitler.

Note that it’s February 1941. Still 10 months before America enters the war. But Joe and Jack aren’t shy about letting their opinions out. They inform us that Cap and Bucky head to “Nazi enslaved France”. Quite the strong language.

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PRELUDE: Captain America Comics #2

The Ageless Orientals Who Wouldn’t Die

Featuring: Captain America
Release: February 10, 1941
Cover: April 1941
10 cents
By: Joe Simon and Jack Kirby
15 pages

This comic was released on my birthday, just 40 years early.

Our buildup to Avengers #4 continues.

Once again, the cover of the comic shows Captain America directly confronting Hitler, this time without the satisfying sock to the jaw. The interior of the first issue disappointed, as Captain America and Hitler did not actually meet. This issue will rectify that, but not with this story. We’ll see Hitler in the next post, concerning “Case No. 2”.

The title of the story alone–“The Ageless Orientals Who Wouldn’t Die”– tells you that this comic is probably extremely inappropriate, and it is. Popular culture depictions of Asian characters were problematic for decades. This comic at least only features giants, not meant to represent actual people.

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