Let’s begin by noting this is not the most amazing story of all time. This is an awful series and nobody should read it. Least of all me.
This story drags on for 45 bloody pages. At least it’s not as bad as the last one we read. And it’s actually a much faster and smoother read than the first issue. Perhaps that’s Stan Lee’s scripting at work.
We noted last time how awful all the characters are, so we’ll just try to skip to the Red Skull stuff this time.
I’m including this story only because the continuity remains pretty tight, and I do want us to be able to untangle Red Skull’s contradictory appearances intelligently.
Joe Simon and Jack Kirby created Captain America and were the driving force and primary creators behind the first 10 issues. But they left for the competition, for the company that would be DC.
That perhaps understates what happened. They learned publisher Martin Goodman had been cheating them out of royalties with shady accounting practices, and so started considering leaving the company. Goodman learned of their intentions and fired them before they could quit, losing his most successful creators in the process.
Stan Lee, now 19 years old, has since taken over the role of editing the Captain America stories, and had long been the writer on many backup features in the series, including Headline Hunter, Hurricane, Father Time, and the Imp.
This is his first credited Captain America comic story. (His first Captain America story was the prose piece in issue 3.)
His distinctive narration style is already recognizable even at a young age, filled with excitement and hyperbole. “…most dangerous adventure of their amazing, thrill-packed careers!”
We get a cool double splash page for the feature image.
Was he wearing his skull mask in prison? Why?
Red Skull apparently died at the end of most of his appearances, but he was captured at the end of issue 7, so opening with him in prison is correct. Somebody is paying attention.
We’re well into Captain America’s adventures, but it’s worth noting this still predates America’s entry into World War II.
The Red Skull’s modus operandi has all been variations on a theme so far. Originally, he had a death gaze; he killed you by looking you. (It turned out he was also injecting you with a poison while he looked at you.) Then, the death touch; he killed you by touching you. (It turned out his glove was electrified and shocked his victims to death.)
Now… the tune he plays on his flute is deadly.
This time, the explanation is simpler. Red Skull whistles Chopin’s Funeral March, but then just shoots the guy.
The Coming of Agent Zero/The Red Skull and the Graveyeard of Doom!/Voyage to No-Man’s Land/Trapped in Nazi-Land!/Outwitting the Bloodthirsty Tyrants!/Captain America and the Human Torch to the Rescue!!
Featuring: Young Allies Release: July 23, 1941 Cover: Summer 1941 10 cents 57 pages
The table of contents lists Joe Simon as “Art editor” and Jack Kirby as “Art director”, while recognizing Carl Burgos as the creator of Toro. No hints as to who actually wrote or drew the comic are given. The GCD credits Otto Binder, Charles Nicholas, and Syd Shores, noting Jack Kirby supplied art for some of the chapter-opening splash pages. The cover is by Jack Kirby and Syd Shores.
We also take the on-sale date from the GCD, which disagrees with the July 10 date given in Mike’s Amazing World, but also offers an explanation for the discrepancy.
An ad shows an earlier version of the cover (and gives the July 10 release date). Notice in the original cover, Stalin is one of the villains (along with Hitler, Tōjō, and Mussolini). This comic was released in July 1941. Between its original advertisement and publication, Germany invaded the Soviet Union, so Stalin was now a good guy, and couldn’t be depicted as evil in the comic. The USSR was now part of the Allied forces.
America remained neutral in the war, but you couldn’t tell by the comic books.
We read the introduction of the Young Allies, a painfully long 57-page adventure. Our motivation is that this is the third appearance of the Red Skull, who was presumed dead in an explosion in Captain America Comics #3.
This comic is pretty rough reading. The most infamous part of it is the character of Whitewash Jones, a painful stereotype of an African American child, whose portrayal somehow keeps getting worse as the issue progresses. Even leaving aside that racial sentiment has evolved in 80 years, the other kids are also pretty awful characters. Tubby, the obese child, is portrayed no better. Nor is Knuckles, the street-tough kid. Jefferson, the nerd, probably comes off the best.
The history of cartooning is built on caricature and exaggeration, but these four kids just push it into the absurd and unreadable.
We’ve visited Captain America Comics #3 before. We read the text story, notable for being the first story written by a young Stan Lee.
The issue also contains three other Captain America adventures, a Tuk story, and a Hurricane story.
There’s a cool feature called “Amazing Spy Adventures” which tells a loosely accurate historical story from ancient Greece, about a secret message tattooed onto a bald head, then hidden as the hair grew. Perhaps the world’s first example of steganography. You can read more about the story here.
What interests us today though is the second appearance of the Red Skull. I’m just as confused as you are, because I also remember him dying in his first appearance. Let’s read on. Maybe they’ll explain.
Ah, so it seems that the Red Skull–unmasked as George Maxon– was immune to his own poison. That makes sense. And Captain America and Bucky did just run off leaving the body in the previous story. But then we clearly saw FBI agents at the scene standing over the body. Now, the Red Skull stands up in an empty room and runs off. Hard to reconcile these things.
When Captain America returned to the present in Avengers #4, we preceded that with a large read-through of a swath of his history from 1941-54. But we intentionally left out some pretty key issues. In particular, we neglected his battles against his nemesis, the Red Skull.
The last twoissues of Tales of Suspense have both retoldstories from Captain America Comics #1. This next one will do the same, retelling the first battle of Captain America and the Red Skull. We will then see some previously untold encounters between Captain America and the Red Skull in World War II. Eventually, the Red Skull will return in the present day to menace Captain America again.
In anticipation of all this, now seems like a good time to read through the early history of the Red Skull, starting with his introduction here in Captain America Comics #1.
