Featuring: Sgt. Fury and his Howling Commandos Release: July 7, 1966 Cover: September 1966 12 cents The peerless editing of Stan Lee The preciocious scripting of Roy Thomas The power-packed pencilling of Dick Ayers The pulse-pounding inking of John Tartaglione The pussycat lettering of Sam Rosen 20 pages
“I don’t like Hitler’s goose-steppers any more’n you do, but as long as he don’t attack America, it ain’t my war!” “It’s everybody’s war, Mister… I just hope they realize it before it’s too late!”
Recall last issue the Howlers were separated from Nick Fury during a mission in Greece. He is back in England now without them.
With nothing to do but wait for G-2 to bring back word on the fate of the Commandos, Captain Sawyer reflects on how he first met Nick Fury, and the group’s beginnings.
Featuring: Sgt. Fury and his Howling Commandos Release: December 9, 1965 Cover: February 1966 12 cents Script: Stan Lee Art: Dick Ayers Delineation: John Tartaglione Lettering: S. Rosen 20 pages
The guys who give me orders have what it takes! They’re my kinda Joes! I’m proud to salute ’em… to fight with ’em… an’ to die with ’em if I haveta!
This issue promises the origins of Fury’s eypatch. The idea is that he has an eyepatch in his modern 1960s adventures as Colonel Nick Fury, Agent of SHIELD, but not in these 1940s adventures as Sgt. Fury of the Howling Commandos. We have seen him fighting in Korea in the 1950s, and he didn’t have an eyepatch then. And we have seen him team up with the Fantastic Four in the 1960s, before the founding of SHIELD. And he didn’t have an eyepatch then either. So presumably this issue will tell us he got it some time in the 1960s. It would seem silly to tell us it happened in the 1940s, so I imagine that’s not what they’re about to do.
Featuring: Sgt. Fury and his Howling Commandos Release: March 3, 1964 Cover: May 1964 12 cents Powerfully written by: Ex-Sergeant Stan Lee Brilliantly drawn by: Ex-Infantryman Jack Kirby Inked by: Geo. Bell Lettered by: Art Simek 22 pages
We’re losing track of time a little because we’ve already read four comics from March and even one from April, but we are now actually finished with February and officially starting our March reading with this issue. So let’s take a moment to see what else is going on in the comics world in March 1964.
Our reading began in 1961 with Fantastic Four #1. We haven’t been covering every Marvel title; we’ve skipped all the western and humor comics that predate FF#1. We’ve been reading parts of all the horror titles as they have slowly transitioned to being superhero titles. We’ve read every new series Marvel has put out since, all superhero comics except for this title, Sgt. Fury. A new Marvel title premieres this month, the first new title that will be outside our scope: Monsters to Laugh With. It’s a comic I’ve never read and don’t have easy access to. The comic uses actual stills from monster movies and adds humorous word balloons to them, for some definition of “humorous”. Taint the Meat has a good description of the series.
This month also sees a significant comic show up at the Distinguished Competition. Detective Comics #327 debuts the “new look” Batman with the now-famous yellow oval around the logo and a new style of storytelling to go with it. Upping their game a bit, perhaps to compete with Marvel.
But this is also a significant issue in the history of Sgt. Fury. As Jack Kirby bids the series goodbye. Now that he’s the regular artist on Thor, it makes sense that something had to give. But it’s too bad it’s this. I think this series has so far been Lee and Kirby’s best work, and Kirby seemed to have a real passion and enthusiasm for these characters and stories. I am sad to see him go.
