Featuring: Thor Release: August 1, 1963 Cover: October 1963 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: Don Heck 13 pages
Kirby gets main drawing credit, but the faces (excepting the Lava Man) look more like Heck’s work to my eye. The action is very Kirby though.
Beneath the surface of the Earth, Mole Man rules an army of monsters. The immortal Tyrannus rules a kingdom of underworld natives. The kingdom of Atlantis had once sunk beneath the sea, and continued sinking beneath the world; when Iron Man visited, Kala was the ruler of Atlantis. We’re about to meet our fourth kingdom beneath the surface. Fortunately, the world is big enough for all of them.
Featuring: Fantastic Four Release: July 9, 1963 Cover: October 1963 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inking: Dick Ayers 22 pages
This bears some resemblance to the Iron Man story where he traveled to Ancient Egypt to battle a time-traveling Pharaoh (Pharoah?). Of course, this is much better.
Mr. Fantastic deduces from some museum hieroglyphs that blindness had once been cured in Ancient Egypt. So the Fantastic Four return to the castle where they first met Dr. Doom, where we find his time machine has just been sitting there this whole time. They use the machine to travel to a time when Egypt was ruled by Rama-Tut, who came from the future. Similar to Zarrko, Rama-Tut has been bored with the peace of his time and craved adventure.
I feel like you should have gone back for this equipment before now…
Attempting to reflect on what future comics will do with this story hurts my brain. There will be contradictions and explanations. Rama-Tut will be connected to several other time-traveling characters. And they’ll further explore this moment in history to learn Apocalypse, Dr. Strange, and the Avengers are lurking around behind the scenes. We’ll spend no more time on such reflections until we need to.
Featuring: Human Torch Release: July 9, 1963 Cover: October 1963 12 cents Story plot: Stan Lee Script: Joe Carter Art: Dick Ayers 13 pages
Once again, Superman creator Jerry Siegel takes on a Human Torch script under the pen name Joe Carter. His scripts seem a cut above what we are used to from Human Torch stories, but it’s a pretty low bar.
Get it… “flame”.
We have seen Johnny on many dates both in this title and the pages of Fantastic Four. It’s been a different girl each time. But this issue seems different. He has a date with Doris Evans, and he describes himself as her “flame”. Puns aside, this suggests something more serious than his usual dalliances. Perhaps it is because Dorrie plays a little hard to get. She is willing to go out with Johnny, but seems to dislike his Human Torch persona. She’s clearly dating him despite his celebrity. The fact that she is given a full name is another hint this one is special.
Featuring: Spider-Man Release: July 9, 1963 Cover: October 1963 12 cents Written by: Stan Lee Drawn by: Steve Ditko 21 pages
The opening page tells us the names of many characters, two named for the first time. We learned last issue that Peter’s blonde classmate was named Liz. We now get the full name: Liz Allan. Last issue, we met Jameson’s secretary Miss Brant. We learn on that first page her name is Betty.
We’ve now seen plenty of crossover amongst the heroes of the titles; now they’re starting to share villains. One week earlier, Thor brought his archfoe Loki along with him for Avengers #1. Now, the Fantastic Four will lend their favorite villain to Spider-Man. Of course, they’ll also be showing up to lend a hand.
Because they’re borrowing a villain, this is the first issue of Amazing Spider-Man where Ditko doesn’t create a timeless villain. He’ll get back to that practice next issue.
Perhaps for that reason or others, this is one of the weaker Spider-Man stories yet. Of course, a weak Spider-Man story is still on par with the best of the other titles.
They summarize Doom’s most recent appearance in Fantastic Four, showing tight continuity. Also taken from Doom’s previous appearance is his use of robot doubles.
Now that we have 100 stories under our belt, I thought it would be a good time to reflect on the best of them. These are my votes for the top 20, in order, represented by the cover or the first page of the story.
You’ll notice a preference for character introductions and Spider-Man stories (as well as Ditko stories in general). Not sure why there aren’t any Ant-Man or Human Torch stories…
Click on an image to view my write-up for that story.
We reach the 100th story in our Marvel reading. Quite the milestone. And what a story it is. Coincidentally, the 100th Marvel Universe story, by my count, is Avengers #1. Did I plan it that way? No. Well, at least not exactly. Six different comics came out this very same day, and it was mostly up to me what order to read them in. The 100th story could just as easily have been X-Men #1 if I’d wanted. But I made that #99. Because.
[Big asterisk on the last paragraph. I have since edited my own reading order to make this story an unexciting story #94. But it was #100 when I first posted it. Now that honor goes to Journey Into Mystery #97]
And what a day for comics. The first Fantastic Four annual had Namor find his people and declare war on the surface world. That’s cool. Sgt. Fury met Reed Richards for the first time. That’s cool. The X-Men were introduced! We read the worst story yet as Thor battled Merlin. That’s… less cool. But overall an exciting day.
Including this. Really, what it’s all been building up to. Why I’ve been intermixing Thor and Iron Man stories, acting like they’re somehow connected even though they clearly haven’t been. This is the heart of it all. Five heroes we’ve been reading about team up. Also, the Fantastic Four show up for good measure.
And, as we’ve discussed, my first comic ever was an Avengers comic. So I’m excited to have reached this milestone.
Featuring: Marvel Boy Release: August 24, 1950 Cover: December 1950 10 cents Credits: Russ Heath 12 pages
No credits are given in the issue. The art is generally recognized as being by Russ Heath.
I was thinking of waiting a long time to introduce Marvel Boy. He’ll show up in the Marvel Age in the pages of What If…? in 1978. The following year, a new hero named Quasar will be introduced, a character modeled partly after Marvel Boy. But it’s going to be a long time before I get to those comics. We’re still in 1963, after all.
And Marvel Boy is a significant superhero. Introduced in 1950 at a time when the company was starting to shy away from superheroes. Plus, his very name will have some significance to the company. Marvel Boy.
So let’s read his origin now, on the pretense that we’ve just been introduced to Marvel Girl.
The origin is a pretty good one, though if you squint a bit, you’ll see some resemblance to Superman’s origin. Marvel Boy’s father, Professor Matthew Grayson, was an early atomic scientist, able to build an atomic rocket in 1934. (Hey… maybe this allows us to add 5 years to Xavier’s age if people were experimenting with atomic power as early as 1934). When his wife and daughter are killed by Nazis, he retreats to space with his son, ending up on the planet Uranus, and discovering an advanced utopian society.
Featuring: Angel
Release: August 31, 1939
Cover: October 1939
10 cents
Credits: Paul Gustavson
8 pages
We have already read two stories from this, the very first Marvel comic, appropriately titled “Marvel Comics”. The most important character to debut in this issue is Sub-Mariner, whose story would be revived in the modern era in the pages of Fantatic Four. Next is Human Torch, who would not be revived, but rather reimagined– a new character created with the name and likeness. Another story in this issue features Ka-Zar, who will also get reimagined for the modern age. We’ll read his story when we meet the new one.
That leaves two other features, neither of whom will be revived in the Marvel Age of comics. One is the Masked Raider. Not sure when I’ll find an excuse to read his story, but I will at some point, just to complete the issue.
The other we get to now, the story of the Angel. We’re reading it now on the flimsy pretense that we just met the new Angel, a member of the X-Men. Even though it’s obvious these characters have nothing in common but a name. Not even sure this character was on anybody’s mind when they were creating the new Angel.
Featuring: X-Men Release: July 2, 1963 Cover September 1963 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: Paul Reinman 23 pages
Paul Reinman is not a name we’ve seen a lot. The internet tells me we’ve seen him ink Kirby once before in our reading, on Incredible Hulk #1, but he was not credited in that issue. That issue relied heavily on the mood created by night and shadow, so it needed a good inker. This issue requires an entirely different feel, but Reinman again delivers.
So, anyways, hey! It’s the X-Men! That’s a good new addition to our growing cast. They were really big when I started reading comics in the early ’90s. And they’ve had a whole bunch of movies now. So this is pretty exciting. We get to see how it all began.
And did you know the X-Men and the Avengers debuted on the very same day? How wild is that? We’ll cover Avengers #1 shortly.
We learn the X-Men are a team of mutants, really the students at a school for mutants, which also acts as a haven. Professor X is the teacher. He trains his students to use their powers to benefit mankind, and to fight evil mutants, like Magneto.
The word “mutant” is important, but pretty new to us. It’s worth reflecting back on Amazing Adult Fantasy #14, where we first encountered the word in our reading. I’m not sure what Marvel comic was the first to ever use the word, but I know who to ask. In that story, Tad Carter is revealed to be a mutant with telepathic and telekinetic powers, because his father had been exposed to radiation before he was conceived. He receives a telepathic summons and goes to join a secret society of self-described mutants with a variety of powers, who wait in hiding until humanity is ready to accept them, when they can usher in a new golden age.
We heard the word again in two other comics published this very day, July 2, 1963. Namor, the offspring of a human and a Sub-Mariner, with powers beyond either race, self-described as a mutant. And Merlin, wizard of King Arthur’s court, explained his seeming wizardry was actually because he was a mutant with powers of telepathy, teleportation, and levitation.
Featuring: Medusa Release: July 2, 1963 Cover: September 1963 12 cents Story plot: Stan Lee Script + Art: Larry Lieber Inking: Paul Reinman 5 pages
Wet met Medusa in Tales to Astonish #32. As with all these mythological characters, it is unclear if all the stories that appear are supposed to connect. The CMRO includes many Medusa appearances in its order, including several appearances that predate where we started our reading. I hope to cover USA Comics #6 eventually in a “prelude” post, but after we first meet Captain America in the present stories.
For example, this comic notes Medusa was slain by Perseus, suggesting she is not the same character we met in the modern day. On the other hand, the Perseus story was related by a teacher, who is perhaps just wrong about Medusa’s fate.
Either way, we learn Medusa is a member of an alien race called the Gorgons, who are now ready to invade earth once again.
