Tales to Astonish #79, Story B

The Titan and the Torment!

Featuring: Hulk
Release: February 3, 1966
Cover: April 1966
12 cents
Hulkish story by: Stan Lee
Hulkable layouts by: Jack Kirby
Hulking artwork by: Bill Everett
Hulksome lettering by: Artie Simek
10 pages

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Even he cannot suspect that Bruce Banner’s gamma rays have miraculously given Hulk the power to grow stronger, rather than weaker, so long as his rage keeps mounting!

As Richard recently pointed out in the comments, this is a great cover of Hulk battling Hercules, courtesy of Kirby and Everett. I fear the issue itself won’t quite live up to the image.

There is some pretty tight continuity on display. When we last saw Hercules, he and a casting agent had left New York bound for Los Angeles. Here we see them on a train from New York to LA. We’ll next see them arriving in LA in Thor #128. The casting agent doesn’t know this is the real Hercules. He’s been cast to play Hercules, so the agent assumes he’s method acting.

Note how little time there has been to breathe in these stories. Hulk’s battle with the Leader led right into his battles in the future, which have led right into his battle with Dr. Zaxon. There’s been no room to breathe. Cliffhanger after cliffhanger. Not so much one long story, as a bunch of story threads that don’t respect issue boundaries.

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Tales to Astonish #78, Story B

The Hulk Must Die!

Featuring: Hulk
Release: January 4, 1966
Cover: April 1966
12 cents
Story by: Stan Lee (Certainly!)
Layouts by: Jack Kirby (Naturally!)
Artwork by: Bill Everett (Surprisingly!)
Lettering by: Sam Rosen
10 pages

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Everett is on art now. We know him as the creator of Sub-Mariner, who told Namor’s original stories. And as the co-creator of Daredevil with Stan Lee, who worked on that series for a single issue. He was removed for being very over-deadline. I think a full-length comic for an entirely new character takes longer than a 10 page Hulk story.

Nonetheless, Kirby is brought in for layouts. Though Everett is the more senior of the two and has long been a writer/artist.

Hulk’s story hasn’t had a pause to breathe since he got his new title. No sooner had the Leader finally been defeated than Hulk was transported into the future. Thinking him dead, Rick revealed Banner’s secret to Major Talbot. But Hulk lives, and has returned from the future.

Has Talbot not told anybody his news yet? Not even Ross?

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Tales to Astonish #72, Story B

Within the Monster Dwells a Man!

Featuring: Hulk
Release: July 1, 1965
Cover: October 1965
12 cents
Thrills, as only Stan Lee’s story can provide them!
Power, as only Jack Kirby’s layouts can create it!
Drama, as only Mickey Demeo’s artwork can present it!
Sound effects, as only Sam Rosen’s pen point can letter them!
10 pages

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I mustn’t change… I won’t let myself change…!! For… if I change… I die!!

Where were we. Banner has a bullet in his brain. Only alive so long as he stays in Hulk form. He has Banner’s intelligence, but his personality seems darker, more like Hulk’s. The equipment he needs to maintain his Hulk state is in his secret lab, which has been uncovered by the military, who are closing in.

His only way out is to accept an offer of help from his enemy, the Leader.

The Leader is Hulk’s opposite. Both exposed to gamma radiation, Hulk received the world’s most powerful body, while Leader received the world’s most powerful brain. Together, they could be unstoppable.

The Leader transforms Hulk into electro-waves to transport him to Italy. “Matter-portation”, he calls it. Star Trek premieres next year; did the writers read this comic?

I appreciate the Leader’s science experiments; they’ll get this story a higher score. His ambition is to create a new life.

He secretly exposed Hulk to a gas that he himself has built up an immunity to. Similar to what one might do with iocaine powder.

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Tales to Astonish #71, Story B

Like a Beast at Bay!

Featuring: Hulk
Release: June 1, 1965
Cover: September 1965
12 cents
Stunning story: Stan Lee
Lavish layouts: Jack Kirby
Awesome art: Mickey Demeo
Luscious lettering: Artie Simek
10 pages

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Don’t ever call me “Doc”! Dr. Banner is dead! From now on, I’m just the Hulk!

Notice Kirby is only credited with layouts. Mike Esposito (alias Mickey Demeo) is the credited artist.

We get a scene with a poetic callback, perhaps intentional. Rick rushes into the path of a blast to save Hulk just as Banner had once raced into the path of an explosion to save Rick.

Are they using nuclear weapons on American soil? That seems like a big deal. Oh, I guess this is a “clean bomb”, which leaves no radioactive fallout. I feel better, I guess.

The new status quo is pretty confusing. Hulk apparently has Banner’s mind, but also insists Banner is dead. And his speech reminds us more of Hulk’s.

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Tales to Astonish #70, Story B

To Live Again!

Featuring: Hulk
Release: May 4, 1965
Cover: August 1965
12 cents
Take a Stan Lee story,
add Jack Kirby artwork,
mix with Mickey Demeo inking,
and Artie Simek lettering…
Presto! Instant confusion!
10 pages

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And the madder I get, the stronger I get–!

A little surprising this series is continuing since last issue ended with Bruce Banner dead. But then, the title of this issue is “To Live Again!” So maybe we shouldn’t give up on him.

We’d probably have gotten around to this story sooner if I hadn’t just assumed he was dead and it was over. Now I’m beginning to think this Hulk guy is Immortal.

Plus, the threat of the Leader still looms.

Are we going back to the days of the constantly changing status quos for Hulk? We’d been able to hold on to this one for an entire dozen issues. Now we’re back to: always Hulk, Banner’s mind. Perhaps all creators except for Ditko struggle with how to deal with a non-heroic protagonist.

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Tales to Astonish #69, Story B

Trapped in the Lair of the Leader!

Featuring: Hulk
Release: April 1, 1965
Cover: July 1965
12 cents
Hulking story by: Stan Lee
Hulksome art by: Jack Kirby
Hulkish inking by: Mickey Demeo
Hulkable lettering by: Art Simek
10 pages

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This is the 10th chapter of the Leader Saga. For 9 issues, Leader has been lurking in the background, secretly behind various threats Hulk has faced. Now they finally meet.

This weird scene weird Hulk is being transported by magnetic waves is notable as it directly ties into Avengers #17, which we will read next.

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Tales to Astonish #68, Story B

Back from the Dead!

Featuring: Hulk
Release: March 4, 1965
Cover: June 1965
12 cents
Story and art by Marvel’s modern masters: Stan Lee and Jack Kirby
Inking: Mickey Demeo
Lettering: Artie Simek
10 pages

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With Ditko off the title, Kirby is back to take another shot at his co-creation. Stan shares the top billing with Jack for this triumphant return. The original Lee/Kirby run on Hulk lasted 5 issues. This one will make it around 15 or so. I’m expecting it to be largely immemorable.

We open with a trick out of the Ditko run. The last issue ended with Banner facing impending death and transforms to the Hulk just in time to be saved. Banner and Talbot are falling to their death when Banner transforms.

Hulk crosses the Pacific with leaps. Isle to isle, plane to plane.

That’s… a very long distance, even if you can jump very far. Maybe there are enough islands between Japan and Hawaii to hopscotch it, but it’s 2500 miles from Hawaii to California with nothing in between.

We check in with the Leader, still scheming.

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Tales to Astonish #67, Story B

Where Strides the Behemoth

Featuring: Hulk
Release: February 4, 1965
Cover: May 1965
12 cents
Script by Stan Lee, who created [sic] the Hulk!
Art by Steve Ditko, who adopted the Hulk!
Inking by Frankie Ray, who fears the Hulk!
Lettering by Art Simek, who looks like the Hulk!
10 pages

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Hulk remains in the unnamed “iron curtain nation”. We will learn this nation borders Mongolia.

We see an impressive battle with the Soviet military. Hulk’s been fighting the US military since issue 1, but this is the first real all-out battle between Hulk and a bunch of tanks.

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Tales to Astonish #66, Story B

The Power of Doctor Banner!

Featuring: Hulk
Release: January 5, 1965
Cover: April 1965
12 cents
Power-packed script by: Stan Lee
Hard-hitting art by: Steve Ditko
Two-fisted inking by: Vince Colletta
Silken-soft lettering by: Art Simek
10 pages

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We are almost up to date with our Hulk stories. This is the last issue where we’d read the Giant-Man/Wasp stories in the past.

We just had a discussion about how Colleta’s inking over Kirby.

How do we feel about Colletta over Ditko? The answer is that we dislike all inkers over Ditko. Ditko is best when inking himself. However, the final artwork here looks close enough to Ditko work. Ditko must have done tight pencils. So we don’t hate it. But we don’t prefer it.

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Tales to Astonish #65, Story B

On the Rampage Against the Reds!

Featuring: Hulk
Release: December 3, 1964
Cover: March 1965
12 cents
Written by: Stan Lee (our faithful writer!)
Drawn by: Steve Ditko (our reliable artist!)
Inked by: Dick Ayers (our dependable inker!)
Lettered by: S. Rosen (our other letterer!)
10 pages

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Our saga continues. Stan offers a recap. Hulk and Talbot are on Astra Isle with a new nuclear device of Dr. Banner’s. Hulk is fighting the Leader’s humanoids and a Marine task force is closing in.

We know now that strain triggers the transformation. When Dr. Banner feels strain, he turns into the Hulk. And when the Hulk feels too much strain, he turns back into Dr. Banner.

Now that Roussos has moved on, Ditko will have rotating inkers to finish off his run on the Hulk. Of course, Ditko’s work looks its best when he inks himself.

The cliffhanger of last issue resolves by page 2 as Hulk and the Humanoids fall into the ocean.

This leads to the actual plot of this issue. Banner is rescued by a Soviet sub and taken to an unnamed Soviet country as a prisoner.

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