Fantastic Four #6

Captives of the Deadly Duo!/When Super-Menaces Unite/When Friends Fall Out!/Trapped!/The End… Or the Beginning?
Release: June 12, 1962
Cover: September 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inker: Dick Ayers
24 pages

I read this in Fantastic Four Omnibus vol. 1. The table of contents credits Dick Ayers as the inker. The original comic just credits Lee and Kirby.

All posts regarding Fantastic Four comics featuring Namor are henceforth dedicated to my mother.

The plot of the story concerns Dr. Doom and Prince Namor the Submariner joining forces. It’s not clear if their duo has a name, and anyway the alliance won’t last long. Dr. Doom refers to them as the Diabolical Duo, which is what the cover calls them. So perhaps that’s official. But the story title calls them the Deadly Duo.

Notably, these are the first recurring nemeses for the FF, uniting the villains of the two previous issues.

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Tales to Astonish #35

The Return of the Ant-Man

The Return of the Ant-Man/An Army of Ants!/The Ant-Man’s Revenge!
Featuring: Ant-Man
Release: June 5, 1962
Cover: September 1962
12 cents
Writers: Stan Lee and Larry Lieber
Penciler: Jack Kirby
Inker: Dick Ayers
13 pages

Previous#14Next
Venus #1PRELUDE
Journey Into Mystery #83Reading orderFantastic Four #6
Tales to AstonishTales to Astonish #36

So great a discovery must not melt into nothingness! I must concoct the serums again!

The credits are taken from the table of contents for Marvel Masterworks Ant-Man/Giant-Man vol. 1. The book’s table of contents gives the credits I put above. I don’t see any credits in the actual issue.

June 5, 1962. Marvel introduces Spider-Man. And their take on the mythological Thor. Also: their scientist Henry Pym gets a costume and superhero identity and becomes Ant-Man. A decent chunk of the cast of Avengers: Endgame was introduced on that day. Stan Lee was involved in all three. Jack Kirby designed Thor and Ant-Man and was involved in initial designs for Spider-Man, before Steve Ditko came on board. Larry Lieber was involved in scripting for both the Thor and Ant-Man stories. That’s a lot of simultaneous creativity going on for a small group of people.

To recap, in Tales to Astonish #27, we met Dr. Henry Pym. He was a mad scientist type, in a story that seemed similar to many others of the time, likely intended as a one-off. We get a recap in this issue, which describes it as a “nightmarish story”. I mean, I guess if you hate ants.

But 8 issues later, Henry Pym returns. At the end of the last story, he decided his shrinking serum was too dangerous and destroyed it. Here, we learn he had a change of heart a few weeks later. He decided to concoct a new serum and hide it away until the world was ready. Wait… if he still thinks the world isn’t ready for the serum, why make a new one only to hide it? Why not just wait to make the new batch? Unless you expect an urgent need for it?

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Journey Into Mystery #83

The Stone Men from Saturn!

The Stone Men from Saturn!/The Power of Thor!/Thor the Mighty Strikes Back!
Release: June 5, 1962
Cover: August 1962
12 cents
Writing: Stan Lee, Larry Lieber
Pencils: Jack Kirby
Inks: Joe Sinnot
13 pages

Previous#13Next
PRELUDEVenus #1
Ultimate Spider-Man #5POSTLUDE
Amazing Fantasy #15Reading orderTales to Astonish #35
Journey Into MysteryJourney Into Mystery #84

Whosoever holds this hammer, if he be worthy, shall possess the power of Thor!

The credits are taken from the table of contents for Marvel Masterworks: The Mighty Thor vol. 1. I don’t see any credits in the story itself.

How wild is it that Thor and Spider-Man were introduced on the exact same day? There are a lot of days in the last 80 years, and only so many super heroes as iconic as those two. In the last year, we’ve met the Fantastic Four and the Hulk. The pace is picking up. Within a year, we’ll meet many of our favorite heroes.

The opening splash page depicts Thor, with a distinctive “T” on his elaborate belt. Except for simplifying the belt, Kirby’s rendition of Thor will last for decades with only minor variations. Notice the smile on Thor’s face; we see that later in the issue as well. Kirby depicts Thor as full of mirth. There is generally a dynamic and playful quality to the art.

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Fantastic Four #5

Prisoners of Doctor Doom!/Back to the Past!/On the Trail of Blackbeard/Battle!/The Vengeance of Doctor Doom!
Release: April 10, 1962
Cover: July 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inker: Joe Sinnot (uncredited)
23 pages

I read this comic in Fantastic Four Omnibus vol. 1. Stan Lee and Jack Kirby signed the issue. The omnibus credits Joe Sinnot as the inker in the table of contents.

I am of two minds about this comic. Let me tell you of both of them.

One the one hand, the premise of the series is that this team gets into fantastic adventures. Travelling back in time to battle pirates qualifies as such an adventure. And as stories about the FF travelling back in time to battle pirates go, this one is pretty solid.

On the other hand, this issue introduces Dr. Doom. Dr. Doom is perhaps my favorite super-villain ever, and this issue just doesn’t quite capture the Dr. Doom that I first met. Whatever I envisioned about the first encounter between our heroes and their arch-nemesis, it wasn’t this.

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Incredible Hulk #1

The Coming of the Hulk/The Hulk Strikes!/The Search for the Hulk/Enter… The Gargoyle!/The Hulk Triumphant!

Featuring: Hulk
Release: March 1, 1962
Cover: May 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inks: Paul Reinman (uncredited)
24 pages

I read this issue in Incredible Hulk Omnibus vol. 1. Stan and Jack signed the issue. The omnibus’ table of contents notes Paul Reinman is the inker.

Now it seems like we’re getting somewhere. I began with a promise of reading this shared Marvel Universe starting with Fantastic Four #1. But it’s been a week and you might be asking, “Where’s the universe?” We’ve read 4 issues of Fantastic Four, a few random sci-fi/horror comics from the period, and you’ve read a handful of comics from BEFORE Fantastic Four #1. All fair points. Where are the other Marvel heroes?

We have covered in the last week about 6 months worth of ground. We started in August of 1961 and have found our way to March of 1962. Finally, we meet our next recognizable hero.

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Fantastic Four #4

The Coming of… Sub-Mariner
On the Trail of the Torch/Enter the Sub-Mariner/Let the World Beware!/Sub-Mariner’s Revenge!
Release: February 8, 1962
Cover: May 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inks: Sol Brodsky (uncredited)
23 pages

Famously, Human Torch meets a random amnesiac hobo and decides without permission to burn the hobo’s beard off his face. The hobo looks like a character Torch read about in a comic, which convinces him to toss the hobo into the ocean. I would argue this behavior on the part of the Torch is inappropriate. But nobody on the team is setting a better example.

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Tales to Astonish #30, Story A

The Return of the Gorilla-Man
Release: January 9, 1962
Cover: April, 1962
12 cents
Credits: Jack Kirby and Dick Ayers
7 pages

The issue has no credits. The Grand Comics Database identifies the artists as Jack Kirby and Dick Ayers, and guesses the writing credits are due to Stan Lee and Larry Lieber. I think Marvel only had two writers at the time, so this is a reasonable guess.

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Fantastic Four #3

The Menace of the Miracle Man/The Monster Lives!/The Flame that Died!/In the Shadow of defeat!/The Final Challenge!
Featuring: Fantastic Four
Release: December 12, 1961
Cover: March, 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inks: Sol Brodsky (uncredited)
23 pages

I read this comic in Fantastic Four Omnibus vol. 1. The issue has signatures for Stan and Jack. The Table of Contents for the Omnibus credits Sol with inks.

The price of the comic has jumped up from 10 to 12 cents. Not sure we’ll be able to afford to continue this series at this rate.

The Fantastic Four battle Miracle Man, a largely forgotten villain. We see he can: fly; become a giant; change into water, metal, or gas; control elements, storms, thunder, and lightning; slice a tree trunk in half with his finger; withstand the Thing’s strongest blow; etcetera. How can the FF defeat such a villain? Well, there’s a twist I’ll let you read for yourselves.

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Tales to Astonish #28

I am the Gorilla-Man

Featuring: Gorilla-Man
Release: November 9, 1961
Cover: February, 1961
12 cents
Credits: Stan Lee, Larry Lieber, Jack Kirby and Dick Ayers
7 pages

This is a tangential story, but it seemed worth including. Unlike Henry Pym last issue, Herr Radzik is a mad scientist bent on evil. He’ll also become less prominent of a character.

He is an evil scientist who invents a ray to switch bodies. He first changes places with a cat (I perhaps would have stayed there) and then decides a gorilla will be the ultimate form. His ambitions involve stealing money as a gorilla, and such. But, once he puts the gorilla into his body, the gorilla is able to use its new human brain to outsmart him and lock him in a zoo.

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Tales to Astonish #27, Story A

The Man in the Ant Hill
Release: September 28, 1961
Cover: January, 1962
10 cents
Story: Stan Lee and Larry Lieber
Pencils: Jack Kirby
Inks: Dick Ayers
7 pages

I read this in Marvel Masterworks: Ant-Man/Giant-Man vol. 1. The story gives no credits, but the collection does. Some online sources break that down as crediting Stan with the plot and Larry with the scripting.

The opening splash pages serves as a title page and cover for the story.

Marvel stands on the precipice between its era of short sci/fi tales and its era of superheroes. This comic comes out the same day as Fantastic Four #2 and fits squarely in the former category, a short cautionary sci/fi tale about a mad scientist. Not clear what the theme is. Be careful of inventing stuff, I guess.

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