jack kirby – Page 22 – Coke & Comics

Tales to Astonish #49

The Birth of Giant-Man!

Featuring: Ant-Man and the Wasp
Release: August 1, 1963
Cover: November 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Don Heck
18 pages

Ant-Man gets a new identity, and there’s a new little corner box to go with it.

The story is this. Ant-Man and Wasp joined a superhero team. Their teammates are Hulk, Iron Man, and Thor. All extremely powerful. Ant-Man is very small and controls ants. Perhaps this situation would have been tenable if Wasp didn’t keep commenting on how handsome Thor was. But she did. And Dr. Pym’s ego could not take this feeling of inferiority anymore. He needed to measure up.

So he thought and thought. He had a gas which shrunk him to ant-size. And a gas which allowed him to grow back to normal size. He had a routine. Reduce to ant-size. Grow to normal size. Now remember, he’s a genius. And it finally occurred to him: what if he skips a step in that cycle? What if he takes the growing gas when already normal-sized?

It worked! If he simply doesn’t take the reducing gas, he is no longer Ant-Man: he is now Giant-Man. And has strength that is at least closer to par with his Avengers teammates.

I have a science question about that, though. When he shrinks to ant-size, he retains human strength. They are very clear on that point. So he is the size of an ant but can punch as hard as an ordinary human. So why does his strength increase when he grows if it doesn’t decrease when it shrinks? Ah, never mind. I’m sure it would make sense if I knew science better.

Journey Into Mystery #97

The Lava Man

Featuring: Thor
Release: August 1, 1963
Cover: October 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: Don Heck
13 pages

Kirby gets main drawing credit, but the faces (excepting the Lava Man) look more like Heck’s work to my eye. The action is very Kirby though.

Beneath the surface of the Earth, Mole Man rules an army of monsters. The immortal Tyrannus rules a kingdom of underworld natives. The kingdom of Atlantis had once sunk beneath the sea, and continued sinking beneath the world; when Iron Man visited, Kala was the ruler of Atlantis. We’re about to meet our fourth kingdom beneath the surface. Fortunately, the world is big enough for all of them.

Fantastic Four #19

Prisoners of the Pharaoh!

Featuring: Fantastic Four
Release: July 9, 1963
Cover: October 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Dick Ayers
22 pages

This bears some resemblance to the Iron Man story where he traveled to Ancient Egypt to battle a time-traveling Pharaoh (Pharoah?). Of course, this is much better.

Mr. Fantastic deduces from some museum hieroglyphs that blindness had once been cured in Ancient Egypt. So the Fantastic Four return to the castle where they first met Dr. Doom, where we find his time machine has just been sitting there this whole time. They use the machine to travel to a time when Egypt was ruled by Rama-Tut, who came from the future. Similar to Zarrko, Rama-Tut has been bored with the peace of his time and craved adventure.

I feel like you should have gone back for this equipment before now…

Attempting to reflect on what future comics will do with this story hurts my brain. There will be contradictions and explanations. Rama-Tut will be connected to several other time-traveling characters. And they’ll further explore this moment in history to learn Apocalypse, Dr. Strange, and the Avengers are lurking around behind the scenes. We’ll spend no more time on such reflections until we need to.

The Avengers #1

The Coming of the Avengers!

Featuring: Avengers
Release: July 2, 1963
Cover: September 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Dick Ayers
22 pages

Previous	#94	Next
Marvel Boy #1	PRELUDE
X-Men #1	Reading order	Tales to Astonish #48
	Avengers	Avengers #2

I pity the guy who tries to beat us!

We reach the 100th story in our Marvel reading. Quite the milestone. And what a story it is. Coincidentally, the 100th Marvel Universe story, by my count, is Avengers #1. Did I plan it that way? No. Well, at least not exactly. Six different comics came out this very same day, and it was mostly up to me what order to read them in. The 100th story could just as easily have been X-Men #1 if I’d wanted. But I made that #99. Because.

[Big asterisk on the last paragraph. I have since edited my own reading order to make this story an unexciting story #94. But it was #100 when I first posted it. Now that honor goes to Journey Into Mystery #97]

And what a day for comics. The first Fantastic Four annual had Namor find his people and declare war on the surface world. That’s cool. Sgt. Fury met Reed Richards for the first time. That’s cool. The X-Men were introduced! We read the worst story yet as Thor battled Merlin. That’s… less cool. But overall an exciting day.

Including this. Really, what it’s all been building up to. Why I’ve been intermixing Thor and Iron Man stories, acting like they’re somehow connected even though they clearly haven’t been. This is the heart of it all. Five heroes we’ve been reading about team up. Also, the Fantastic Four show up for good measure.

And, as we’ve discussed, my first comic ever was an Avengers comic. So I’m excited to have reached this milestone.

I just wish it were a better comic.

Sgt. Fury #3

Midnight on Massacre Mountain!

Featuring: Sgt. Fury and his Howling Commandoes
Release: July 2, 1963
Cover: September 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Dick Ayers
22 pages

The scans below are taken from a reprint in Special Marvel Edition #5, from 1972.

The goal of this blog is to get at the large meta-story that is the Marvel Universe. What we are mostly reading is a collection of titles that don’t seem to be particularly related except for one piece of glue: the Fantastic Four. At this point, the Fantastic Four have met Spider-Man, Hulk, Namor, and Ant-Man. They have not yet met up with Iron Man or Thor, but we have here a more unlikely connection. The story of how Reed Richards met Sgt. Fury.

Of course, the bonds will be forming even stronger in another comic that premieres this very same day, one which really ties the universe together, just as a rug might do to a room.

Fantastic Four Annual 1, Story B

The Fabulous Fantastic Four Meet Spider-Man!

Featuring: Fantastic Four
Release: July 2, 1963
Cover: 1963
25 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Steve Ditko
6 pages

This is a very odd story. Something of a remake. It takes pages 2-4 of the second story from Amazing Spider-Man #1 and redraws them, expanding the story to 6 pages. This time, drawn by Kirby and inked by Ditko.

I don’t know why. The opening editor’s note claims it’s because fans demanded it, but Stan Lee always claimed that fans demanded everything. In the original, each member takes one go at Spidey. This time, each gets two.

Sue has a different haircut and each artist renders her invisibility differently. Ditko makes her shape clearer. In contrast, it’s Kirby who more clearly renders Johnny’s outline when he’s aflame.

Rather than offer any commentary of possible general interest to a story we’ve already talked about, I’m going to focus on the academic, and just give a full comparison of the stories. Some dialogue is copied, some slightly changed, some original. Some panels are new, while others closely match original panels. All seem redrawn from scratch.

Fantastic Four Annual 1

Sub-Mariner Versus The Human Race!

Featuring: Fantastic Four
Release: July 2, 1963
Cover: 1963
25 cents <– whoa!
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Dick Ayers
37 pages

We just read no less than 5 Sub-Mariner stories from the ’40s and ’50s to have some context for this giant-sized Fantastic Four/Sub-Mariner epic we are about to read. At 37 pages, this is the longest story we have yet read. And at 25 cents, this and the Strange Tales annual are the most expensive comics we’ve come across by a factor of 2.

When Sub-Mariner returned in Fantastic Four #4, he learned that his kingdom had been destroyed and his people were missing. He’s been searching for them ever since. Until now.

Is it the longest ever? Or might Stan be exaggerating?

Quite the opening couple pages. The bold imagination on display is Kirby at his best. But we haven’t seen that much of his true potential yet in these stories. He’s just been getting warmed up.

The Fantastic Four decide to take a vacation along with Alicia. Reed’s suggestion is to take a cruise to where some sea monsters have been sighted.

Strange Tales Annual 2

On the Trail of the Amazing Spider-Man!

Featuring: Human Torch
Release: June 11, 1963
Cover: 1963
25 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Steve Ditko
18 pages

Jack Kirby drew the cover for Spider-Man’s very first appearance. Besides that, this will be his first chance to draw the web-slinger. Fortunately, Spider-Man’s own Steve Ditko is on hand providing finishes to help keep the character on-model.

Nonetheless, they forgot his chest logo on the cover. I find it very weird to look at. And Kirby keeps drawing Spider-Man with his legs really awkwardly spread.

I think Ditko poses Spidey a little more organically.

This is our first “annual”. Mostly we’re reading monthly or bi-monthly comics. But ongoing series occasionally fit in one special issue per year they call an “annual”. This is Strange Tales annual 2, so it’s obviously not the first, but it’s the first since Strange Tales became a regular superhero feature. The first Fantastic Four annual will also be debuting shortly.

This issue is more than double the usual price at 25 cents, coming in at 72 pages. Normally, an issue of Strange Tales is about 23 story pages, featuring 3 stories, a Human Torch tale and two others. Soon, Dr. Strange will start regularly sharing the book. This annual features a whopping 11 stories. However, all except this Human Torch story are reprints of older stories. The previous annual was entirely reprints.

This is the first full story dedicated to Spider-Man and Human Torch meeting. They’ve met twice before, but only briefly, in Amazing Spider-Man #1 and #3. I’m excited as I consider this one of Marvel’s great superhero friendships.

Fantastic Four #18

A Skrull Walks Among Us!

Featuring: Fantastic Four
Release: June 11, 1963
Cover: September 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Dick Ayers
21 pages

It’s perhaps cheating that I’ve seen so many later renderings of Super-Skrull, but hindsight being the new year, that’s not a great image of Super-Skrull on the cover. It suggests only that he has Human Torch powers. No hint that he has the powers of the entire Fantastic Four (well, no visual hint. I guess the text tells you). He should be rocky and flaming and stretching and invisible. My two cents. Though he’s also never rocky in the issue, just strong. But he should be rocky.

At this point, the earth has been invaded by about a dozen alien races this year. All of whom have given up and withdrawn entire fleets at the slightest hint of possible resistance. The Skrulls are the first to return, to try again after their ignoble defeat.

Their plan is to make an agent powerful enough to stop the Fantastic Four, reasoning it was the FF who defeated them before. But the Fantastic Four did not defeat the Skrulls, at least not with their powers. The Skrulls were scared off by pictures of monsters in comic books. So really, they should make an agent powerful enough to fight all the monsters that scared them away.

Fantastic Four #17

Defeated by Dr. Doom!

Featuring: Fantastic Four
Release: May 9, 1963
Cover: August 1963
12 cents
Story: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
22 pages

I read this story in Fantastic Four Omnibus vol. 1.

We see the first of an effect that will be used again on Fantastic Four covers. Four panels on the cover. One for each member of the team. Perhaps with a centerpiece for the villain.

Alicia gets herself kidnapped by Dr. Doom. The girlfriend being held hostage is an old superhero trope going back to Lois Lane. We’ve seen it in the Marvel Universe already with Jane Foster.

We get a little insight into Doom’s mindset. He relates to the Thing, as both are grotesque. Yet, Thing has found love. Rather than causing him to reflect that maybe it’s okay to remove his mask, Doom still believes nobody can love him and vows revenge on all humanity. Notice that the art is going out of its way to not show us Doom’s face.