jack kirby – Page 17 – Coke & Comics

Journey Into Mystery #106, Story B

The Brave

Featuring: Tales of Asgard
Release: May 5, 1964
Cover: July 1964
12 cents
Written with passion by: Stan Lee
Drawn with pageantry by: Jack Kirby
Inked with power by: Vince Colletta
Lettered with pride by: Art Simek
5 pages

We recently met Vince Colletta over in Daredevil. This issue begins Vince Colletta’s long relationship with Thor, spanning almost a decade. He will be the regular inker on “Tales of Asgard” from here on out, and soon graduate to the main title. He will be the inker for over 60 consecutive issues and remain a frequent inker on the title thereafter.

Contrasting his work with, say, Chic Stone, we see more hatchings to represent shadow and shape than we have been seeing, yet less crispness. The features are often softer and less defined. I’ve seen it described as “atmospheric”.

The next two chapters of “Tales of Asgard” will focus on Balder. Let’s review his history.

Journey Into Mystery #106

The Thunder God Strikes Back!

Featuring: Thor
Release: May 5, 1964
Cover: July 1964
12 cents
Written fairly well by: Stan Lee
Drawn not too badly by: Jack Kirby
Inked kinda nice by: Chic Stone
Lettered pretty fair by: Art Simek
18 pages

This issue picks up less than 60 seconds after the last issue ended. Cobra has stolen Thor’s hammer with a machine and Thor is about to revert to Don Blake.

I can’t believe we have another 18 pages of Thor fighting Cobra and Mr. Hyde.

This idea of spreading a story over multiple issues is becoming a thing. We made it through over a year of stories without it ever happening. Not only were stories resolved in an issue, but they were usually resolved within a dozen pages, leaving room for other stories. It takes a hefty 36 pages to conclude this battle. The famous origin of Spider-Man took only 11.

The first hint of change was the Fantastic Four battle with Dr. Doom taking place over Fantastic Four #16–17. But even that was really two distinct stories; the first just ended with Doom’s escape, so they had another Doom story right after. Amazing Spider-Man #11–12 is a similar flavor; each issue tells a complete story, but Dr. Octopus remains the villain across the issues. We’ve had the one big story, the Hulk story in Fantastic Four #25–26, which itself tied into plot threads from Avengers #2-5. But that was epic enough to justify its length. Giant-Man and Wasp inaugurated the pointless two-parter with their battle against the Human Top. Thor’s title has gone all in on the idea, as his battles with both Mr. Hyde and Tomorrow Man took two issues for no particular reason. Iron Man recently followed suit with his battle against Mandarin, also stretched over two issues.

The multi-part story will soon become the rule rather than the exception, including two giant upcoming epics. These multi-part arcs make deciding on a reading order difficult. In general, I’ve been trying to go month by month, but I’d also like to keep these multi-part stories together, which is going to require some shifting around.

Journey Into Mystery #105, Story B

When Heimdall Failed!

Featuring: Tales of Asgard
Release: April 2, 1964
Cover: June 1964
12 cents
Written by: Stan Lee
Illustrated by: Jack Kirby
Inking: Geo Bell
Lettering: Art Simek
5 pages

Recall that last issue, we learned the origin of Heimdall. This issue we get another Heimdall tale, before the spotlight shifts to Balder starting next issue.

Nedra hatches a plot with Brimer, King of the Storm Giants, to invade Asgard, even under Heimdall’s watch. Nothing can escape his sight or hearing, but the air creatures known as the Vanna can be neither seen nor heard.

Nonetheless, Heimdall senses the approaching Vanna and lashes out. He misses and is uncertain whether to trust his own instincts.

Journey Into Mystery #105

The Cobra and Mr. Hyde!

Featuring: Thor
Release: April 2, 1964
Cover: June 1964
12 cents
Written by: Happy Stan Lee
Drawn by: Healthy Jack Kirby
Inked by: Husky Chic Stone
Lettered by: Hasty Art Simek
18 pages

I really am excited that Kirby is the regular on Thor, especially when paired with a great inker like Chic Stone. I remain hopeful that the quality of the “Tales of Asgard” backups will soon be reflected in the main stories, turning around what has been Marvel’s worst title so far. Enchantress and Executioner were two good additions to the rogues gallery. And last issue we got a taste of mythic armageddon. Far more interesting than Thor fighting mobsters. I like the direction they’re going. I hope they keep it u–

Oh. Huh. Cobra and Mr. Hyde, eh.

Sigh. Ah well. Teach me to get my hopes up.

Because there are no longer sci/fi backup tales, the entire issue is dedicated to Thor. Which means they have to drag this story over 18 pages. And then they make it a two-parter! 36 pages of Cobra and Mr. Hyde.

The Avengers show up. The costumes they are wearing could be clues to where this story places amidst the Avengers comics and other titles… except they provide inconsistent evidence.

Fantastic Four #28

We have to fight the X-Men!

Featuring: Fantastic Four
Release: April 9, 1964
Cover: July 1964
12 cents
Written by: Stan Lee (The leader!)
Drawn by: Jack Kirby (The king!)
Inked by: Chic Stone (The master!)
Lettered by: Art Simek (The letterer!)
22 pages

Stan’s been doing “clever credits” for a while now, giving all sorts of nicknames to the creators. This one happens to be Kirby’s most famous nickname. He is generally known today as Jack “King” Kirby. This is the first time we’ve seen the “king” nickname in our reading. Can’t confirm whether it’s been used anywhere else before. This project began 20 years into Jack’s rather prolific career.

We turn now to the story, where the Fantastic Four and X-Men meet for the first time. (Well, Human Torch and Iceman had already met…)

We begin with a statue of Thing that has been sculpted by the brilliant Alicia, working by touch alone.

Avengers #6

Masters of Evil!

Featuring: Avengers
Release: May 5, 1964
Cover: July 1964
12 cents
Written by the inspired typewriter of: Stan Lee
Drawn by the enchanted pencil of: Jack Kirby
Inked by the gifted brush of: Chic Stone
Lettered by the scratch pen of: S. Rosen
23 pages

As if it wasn’t hard enough trying to figure out how to fit the Avengers’ solo adventures around this title, issue 5 ended with an urgent call from the Teen Brigade to go on a mission unrelated to the Lava Men adventure they just had, which itself was unrelated to the Hulk adventure that started that issue. Leaving almost no space for solo adventures.

Here, the narration informs us they are still on the way to New York to respond to the urgent call, but needed to refuel in Chicago.

Between New York and Chicago, Iron Man and Giant-Man have gotten new costumes, and Wasp has a new hairdo and headpiece.

Captain America meanwhile has new glove magnets and miniature transistors installed in his shield that allow him to control its motion.

Iron Man designed the shield transistors. He is apparently an engineering genius on par with Tony Stark, the man nobody has ever seen him with, despite being Stark’s bodyguard.

And then Thor gives Captain America his mail. Wait? What? I thought this was a refueling stop in Chicago. Where did they get the mail? Where are they?

Not many details in the scene. Some equipment makes it look like a lab. Cap is sitting on a chair, so they seem to not be on a plane or at a refueling station.

Fantastic Four #27

The Search for Sub-Mariner!

Featuring: Fantastic Four
Release: March 10, 1964
Cover: June 1964
12 cents
Author and illustrator extraordinary: Stan Lee and Jack Kirby
Inked by: Geo. Bell
Lettered by: S. Rosen
23 pages

The opening of this story is somewhat different from the norm. A little… sexier.

To make the opening image more amusing, we learn it’s not an actual projection of Sue, but rather a projection of what happens to be on Reed’s mind at the moment. Sexy Sue, apparently.

We then get the issue’s big news. Reed is planning to go buy a ring in order to ask Sue to marry him. Giant-Man recently bought a ring for the same reason, but chickened out. Let’s see if Reed can do any better.

Sandman #19

A Midsummer Night’s Dream
by Neil Gaiman and Charles Vess

Things have changed and will change more; and Gaia no longer welcomes us as she once did.

But he did not understand the price. Mortals never do. They only see the prize, their heart’s desire, their dream… But the price of getting what you want is getting what once you wanted.

Things need not have happened to be true. Tales and dreams are the shadow-truths that will endure when mere facts are dust and ashes, and forgot.

Thirty years ago today, one of the finest comics I have ever read was published. I would like to take a moment to reflect on Sandman #19, “A Midsummer Night’s Dream”; admittedly at some considerable length.

Due to its length, the post is broken into 3 pages. The first page gives an overview of the Sandman series, and some background. The second page discusses this issue in depth, as well as Sandman #13 and #75, which serve as prologue and epilogue respectively. The third page examines particular themes of this issue and how they resonate throughout the entire series.

Please find the buttons at the bottom of each page to navigate.

Pages: 123

Sgt. Fury #7

The Court-Martial of Sergeant Fury

Featuring: Sgt. Fury and his Howling Commandos
Release: March 3, 1964
Cover: May 1964
12 cents
Powerfully written by: Ex-Sergeant Stan Lee
Brilliantly drawn by: Ex-Infantryman Jack Kirby
Inked by: Geo. Bell
Lettered by: Art Simek
22 pages

We’re losing track of time a little because we’ve already read four comics from March and even one from April, but we are now actually finished with February and officially starting our March reading with this issue. So let’s take a moment to see what else is going on in the comics world in March 1964.

Our reading began in 1961 with Fantastic Four #1. We haven’t been covering every Marvel title; we’ve skipped all the western and humor comics that predate FF#1. We’ve been reading parts of all the horror titles as they have slowly transitioned to being superhero titles. We’ve read every new series Marvel has put out since, all superhero comics except for this title, Sgt. Fury. A new Marvel title premieres this month, the first new title that will be outside our scope: Monsters to Laugh With. It’s a comic I’ve never read and don’t have easy access to. The comic uses actual stills from monster movies and adds humorous word balloons to them, for some definition of “humorous”. Taint the Meat has a good description of the series.

This month also sees a significant comic show up at the Distinguished Competition. Detective Comics #327 debuts the “new look” Batman with the now-famous yellow oval around the logo and a new style of storytelling to go with it. Upping their game a bit, perhaps to compete with Marvel.

But this is also a significant issue in the history of Sgt. Fury. As Jack Kirby bids the series goodbye. Now that he’s the regular artist on Thor, it makes sense that something had to give. But it’s too bad it’s this. I think this series has so far been Lee and Kirby’s best work, and Kirby seemed to have a real passion and enthusiasm for these characters and stories. I am sad to see him go.

Strange Tales #120

The Torch Meets the Iceman!

Featuring: Human Torch
Release: February 11, 1964
Cover: May 1964
12 cents
Deftly written by: Stan Lee
Dazzlingly drawn by: Jack Kirby
Dramatically inked by: Dick Ayers
Distinctively lettered by: S. Rosen
14 pages

Been a little while since Kirby has deigned to draw a Human Torch story. I assume we owe his presence to the guest appearance of Iceman, just like a Captain America crossover motivated his last visit.

Mr. Fantastic notes the X-Men are hard to contact because nobody knows their identities. Iron Man was able to contact them just fine, and they all have access to a government-provided superhero communications network.