Featuring: Thor Release: November 5, 1963 Cover: January 1964 12 cents Written by: Stan Lee Illustrated by: Don Heck 13 pages
Congratulations to Journey Into Mystery on reaching 100 issues. The cover doesn’t see this milestone as something worth making a big deal out of. Nor does the story. This is just another Thor story, as far as I can tell.
For contrast, check out Superman #100 from almost a decade earlier. They seemed proud to reach 100.
Let’s celebrate the milestone by briefly reviewing the history of the title and peeking into its future.
Featuring: Thor Release: October 1, 1963 Cover: December 1963 12 cents Written by: Stan Lee Illustrated by: Don Heck 13 pages
Yes, we are jumping back in time a week. This begins a two-part story, so I wanted to get #99-100 together. The CMRO actually puts the Thor stories from each issue together, and then goes back to the “Tales of Asgard” stories from 99-100. I think I’m going to treat reading a whole issue at once as the more important consideration. Of course, I will eventually break that rule. So the plan is to read the whole of Journey Into Mystery #99 followed by the whole of #100, even though that inserts a Tales of Asgard story in the middle of Thor’s battle with Mr. Hyde.
Marvel’s already had a few characters inspired by Robert Louis Stevenson’s story, The Strange Case of Dr. Jekyll and Mr. Hyde. Hulk is the most famous one, but his character arc has so far been a rambling mess. Lizard did it well, though it made the character of Curt Connors far more sympathetic than Stevenson made Dr. Jekyll.
Now, we get an explicit reference with a villain named Mr. Hyde. Calvin Zabo is written as even less sympathetic than Dr. Jekyll. He is a straightforward super-villain who transforms himself into Mr. Hyde to commit crimes.
Featuring: Iron Man Release: October 8, 1963 Cover: January 1964 12 cents Written by: Stan Lee Illustrated by: Steve Ditko Inked by: P. Reinman 18 pages
Paul Reinman on inks. It’s not often Ditko gets an inker. He usually does his own finishes. His first Iron Man story had Don Heck doing “refinement”. I think that’s the only other time we’ve seen anybody else finishing Ditko. Paul Reinman has been inking the X-Men comics, so he may be here to help keep their faces on-model.
Once again, that weird note at the beginning; we’ve seen something similar in every crossover. Stan thanks the editors of X-Men for letting the characters appear. You are the editor, Stan. But there may be legal reasons for this. Martin Goodman played all types of crazy games with shell companies and such to save a buck here and there.
The idea is it’s all one continuity, one universe. That’s why we read these comics together. But we don’t know that any character is part of that continuity until they cross over. At first, crossovers were sparse. It was a while before there was any hint Iron Man and Thor might be in this world. Crossovers have become increasingly common. After only two issues of X-Men, we learn they are a part of this world. The main story is a battle between Iron Man and Angel, but all the X-Men and Avengers will also show up.
Featuring: Thor Release: September 3, 1963 Cover: November 1963 12 cents Written by: Stan Lee Illustrated by: Don Heck 13 pages
The issue begins with Thor throwing a temper tantrum. “It isn’t fair!” he cries. The narrator notes it may surprise us to see a superhero throw a temper tantrum. No, I’ve been reading Fantastic Four.
Of course I imagine Thor’s voice sounds like Tommy Wiseau as he shouts.
An ex-convict named Klaus is bitten by a radioactive cobra and gains the powers of a cobra. This is pretty well-established as what happens when radioactive creatures bite you.
Featuring: Thor Release: August 1, 1963 Cover: October 1963 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: Don Heck 13 pages
Kirby gets main drawing credit, but the faces (excepting the Lava Man) look more like Heck’s work to my eye. The action is very Kirby though.
Beneath the surface of the Earth, Mole Man rules an army of monsters. The immortal Tyrannus rules a kingdom of underworld natives. The kingdom of Atlantis had once sunk beneath the sea, and continued sinking beneath the world; when Iron Man visited, Kala was the ruler of Atlantis. We’re about to meet our fourth kingdom beneath the surface. Fortunately, the world is big enough for all of them.
We reach the 100th story in our Marvel reading. Quite the milestone. And what a story it is. Coincidentally, the 100th Marvel Universe story, by my count, is Avengers #1. Did I plan it that way? No. Well, at least not exactly. Six different comics came out this very same day, and it was mostly up to me what order to read them in. The 100th story could just as easily have been X-Men #1 if I’d wanted. But I made that #99. Because.
[Big asterisk on the last paragraph. I have since edited my own reading order to make this story an unexciting story #94. But it was #100 when I first posted it. Now that honor goes to Journey Into Mystery #97]
And what a day for comics. The first Fantastic Four annual had Namor find his people and declare war on the surface world. That’s cool. Sgt. Fury met Reed Richards for the first time. That’s cool. The X-Men were introduced! We read the worst story yet as Thor battled Merlin. That’s… less cool. But overall an exciting day.
Including this. Really, what it’s all been building up to. Why I’ve been intermixing Thor and Iron Man stories, acting like they’re somehow connected even though they clearly haven’t been. This is the heart of it all. Five heroes we’ve been reading about team up. Also, the Fantastic Four show up for good measure.
And, as we’ve discussed, my first comic ever was an Avengers comic. So I’m excited to have reached this milestone.
Featuring: Thor Release: July 2, 1963 Cover: September 1963 12 cents Story plot: Stan Lee Script: R. Berns Art: Joe Sinnott 13 pages
Merlin, again. Soon, we’ll meet the new Black Knight, and this will lead us to look back on the great Black Knight stories of the 1950s, which prominently feature Merlin. He was a heroic figure in those stories.
Surprised England was so willing to let so important a piece of their history go.
In our Marvel Age reading, we first met Merlin in Tales of Suspense #27, there to give a corrupt magician his just rewards. In Incredible Hulk #5, we learn he had once banished the evil Tyrannus beneath the earth. Then, Strange Tales #108 told a tale of King Arthur’s court, where Merlin clashed with Sir Mogard. It is not clear whether any of these are meant to tie together.
I’ve harped on this a few times now, but a lot of these weaker comics really fail to tie all their threads together, as compared with how Ditko tells the Spider-Man stories, where each story has a singular flow that juggles and intertwines its threads. Here, we get 3 pages of Thor rescuing a bus and it leading to drama with Jane. Then we move on completely to the Merlin story, which has nothing to do with any of that. They only have 13 pages to fill, but still seem to need to pad the story. Thor and Merlin finally meet on page 9.
Featuring: Thor Release: June 4, 1963 Cover: August 1963 12 cents Story plot: Stan Lee Script: R. Berns Art: Joe Sinnott 13 pages
I read this story in Marvel Masterworks: The Mighty Thor vol. 1.
In going through the results of a recent poll on favorite Marvel/DC characters, my friend Brian Cronin talked about the idea of a “MARVEL science” degrees for his entry on Beast. He notes that Beast is a MARVEL scientist, and
Marvel Universe science is a lot more diverse than regular science. You see, Hank eventually gained a PhD (done while the rest of the X-Men were vainly trying to complete their GEDs) in biophysics and genetics. However, he achieved these PhDs in MARVEL science, so this made him an expert in engineering, medicine, time travel (yes, time travel), etc. It is like how one of the most highly-developed robots of all time, Ultron, was built by Hank Pym, a biologist. It is because Hank is a MARVEL biologist. Very different than normal biology. It’s like “How would you best describe a cell membrane? Also, how would you build a device that could negate Magneto’s powers?” All in the same class!!!! And MARVEL scientists always have multiple doctorates by the time they’re 22. It’s a rule.
Now, we’ve seen a pretty clear counterexample to that. Dr. Pym turned down a request for help from Wasp’s father because it was outside his area of specialty. He claimed he was only an expert in “molecular cell transition” (i.e. making people shrink) and “cell specialization” (i.e. making people grow wings). As of where we are in our reading, he has not yet built any robots.
Dr. Don Blake is a surgeon and a very good one. Surgery is a hard thing to master. It takes a lot of time to study. It’s a demanding job, always being on call. He’s also always on call as a superhero.
Yet somehow he built an android in his spare time.
Featuring: Thor Release: May 2, 1963 Cover: July 1963 12 cents Plot: Stan Lee Script: R. Berns Art: J. Sinnott 13 pages
I read this story in Marvel Masterworks: Thor vol. 1.
Robert Bernstein has become a more frequent scripter of late. And Joe Sinnott has basically become the regular Thor penciller over Kirby, who only returns to the title intermittently. In general, Sinnott will not do a lot of full art for Marvel. But he spends decades as one of their most reliable finishers.
I think the above cover reference is the first time I’ve seen them use the phrase “Marvel Age of Comics”. But as I’m often reading reprints, I may be missing some internal notes. Anyways, that’s what I’ve been calling these tales, differentiating them from the comics the company published in decades prior, the “Marvel Age”. Now, the cover suggests they are just ushering it in. I’ve been describing comics thusly going back to Fantastic Four #1 two years earlier. Before the word “Marvel” was really anywhere to be seen. When there was just a discreet “MC” on the covers. This is part of a new marketing push. A similar phrase will show up on other covers and in house ads over the next month or so.
Still no particular evidence Thor ties in with any of these other stories. Not until the Avengers form. And again, we see everybody acting like Thor is the only superhero out there. When a missile loses control, everyone on earth seems to agree Thor must be tracked down. Nobody seems to consider contacting Iron Man or the Fantastic Four.
Maybe people are also trying to reach Iron Man, and we just don’t see it.
In their first encounter, Loki hypnotized Thor pretty easily. This time he has a much more convoluted plot. He manipulates a complicated series of events to ultimately get Thor to turn his head so his hammer hits him in the chromosomatic gland. And getting hit in that particular gland hard enough changes one from good to evil. Of course, Odin resolves the situation by hitting him again in the same spot.
Featuring: Thor Release: April 2, 1963 Cover: June 1963 12 cents Plot: Stan Lee Script: R. Berns Art: Jack Kirby Inking: Dick Ayers 13 pages
I read this story in Marvel Masterworks: The Mighty Thor vol. 1.
Another Cold War story, but this one tying itself closely to current events, seeming to be set during the Sino-Indian War.
Thor takes quite the interest in particular geopolitical concerns.
This allows us to align the comic’s timeline with our own. The Sino-Indian War mainly took place October-November 1962, about 6 months before this comic came out. And since it takes some number of months to go from concept to the comic being finished, printed, distributed and appearing on stands, they were drawing from pretty current events.
