I was chosen to be– keeper of the flame! But now– the torch has– gone out!
Captain America is certain there is somebody behind Power Man. Since he knows nothing about Power Man, I’m not sure where that certainty comes from.
The Avengers have been ordered to disband by the city. That’s enough for most of the team, but not for Captain America. He thinks they stand for something bigger than obeying laws.
This leads the Avengers to fight amongst themselves. They do this a lot. But this time, the fight dissolves the team.
Featuring: Avengers Release: August 10, 1965 Cover: October 1965 12 cents Written with the usual Stan Lee madness! Drawn with the usual Don Heck magnificence! Inked with the usual Wally Wood magic! Lettered with the usual Artie Simek mistakes! 20 pages
When I took command, the Avengers were at the height of their power, their prestige, their fame! And now– look what I’ve done!
Yesterday was Don Heck’s birthday! He would have been 94 years old, but he passed away at the age of 66.
The story opens with a lot of chastising.
Well, first Hawkeye is fixing a fuse. The narrator seems to mock that the artist chose to begin the story in such a “prosaic” way. Stan, if you want the stories to open differently, you have to write the stories.
The machinery seems unusually detailed. I suspect that has a lot to do with Wood’s inking.
Featuring: Nick Fury, Agent of SHIELD Release: October 12, 1965 Cover: January 1966 12 pages Senses-shattering story by: Stan Lee Power-packed presentation by: Jack Kirby Drama-drenched drawing by: Don Heck Dreamy-designed delineation by: Joe Sinnott Booboo-bulging balloons by: Sam Rosen 12 pages
Mankind cannot live in fear of Hydra! In the name of SHIELD… in the name of universal freedom… I cannot fail!
Kirby. Heck. Sinnott. That’s a lot of artists to draw 12 pages of comic. (A heck of a lot.)
“Booboo-bulging balloons” took a bit of deciphering. I think Stan’s claiming the letterer makes a lot of mistakes. The word balloons are bulging fit to burst with mistakes.
Hydra could have served as a looming background threat for some time to come. But they decided it was time to settle it up. This is part 6 of the “Hydra Saga”. SHIELD agents are swarming Hydra’s headquarters for the final battle.
Featuring: Avengers Release: July 8, 1965 Cover: September 1965 12 cents Wham-Type script by Stan Lee Pow-type pencilling by Don Heck Zowie-type inking by Wallace Wood Rather nice lettering by Artie Simek 20 pages
There’s something about being an Avenger… that seems to get into your blood and never let go!
The creative team is almost never mentioned on the cover of these (or any) comics. This is certainly the first time we’ve seen the inker advertised. Stan knows he’s lucky to have Wally Wood, and perhaps already knows he won’t have him much longer.
We saw Wood inking Heck in Tales of Suspense #71, which comes out one month after this one. So this is properly their first collaboration.
The cover is a rare Kirby/Wood collaboration, and pretty awesome. A team I think many would like to have seen more work by.
We see a rare feat of teamwork for these new Avengers. They seem to be defeating the Swordsman when he disappears.
He finds himself in the lair of the Mandarin. Who wishes to destroy the Avengers, though he’s never met them*. His foe is Iron Man, who used to be an Avenger. And it follows that he must destroy these Avengers, which don’t include Iron Man. Because Iron Man is his foe. And… the Mandarin’s plans may just be too crafty for my little brain.
Featuring: Avengers Release: June 8, 1965 Cover: August 1965 12 cents Writer: Stan Lee Artist: Don Heck Inker: Dick Ayers Letterer: Artie Simek 20 pages
“Marvel Pop Art Productions”? This phrase started appearing on covers these last couple months. The letters page explains that fans object to these magazines being called comics, perhaps as that implies they are humorous and juvenile. So Stan is going to start calling them “pop art books”. I started reading these things about 25 years later and heard they were called comics, so I’m not sure this rebranding will stick.
Swordsman tries to join the Avengers but is rebuffed after a fight.
Featuring: Iron Man Release: August 10, 1965 Cover: November 1965 12 cents A study in splendor by Stan Lee, writer! A muse of majesty by Don Heck, artist! A glimmer of glory by Wally Wood, inker! A nice lettering job by Art Simek, bon vivant! 12 pages
Featuring: Iron Man Release: June 8, 1965 Cover: September 1965 12 cents Story by: Stan Lee, the idol of Millions! Art by: Don Heck, the toast of two continents! Inking by: V. Colletta, the pride of the bullpen! Lettering by: Sam Rosen, the last angry letterer! 12 pages
But, Iron Man must accept the challenge! It’s a matter of national pride… of prestige!
There are many stories I consider iconic. And, usually, who knows how this impression forms. Decades of reading comics and talking about comics has given me a sense of some stories that stand out.
I think of this as an iconic story and I know exactly why I think that. Very early in my Marvel reading, I also collected Marvel cards. The 1990 set had a set of famous battles. This was one of the chosen battles.
We’ve seen one famous battle (per that card deck) before, the Hulk/Thing fight from Fantastic Four #25–26. And are currently in the middle of another, the “Nick Fury vs. Hydra” battle begun in Strange Tales #135.
Of course, Titanium Man has one other claim to fame. Paul McCartney selected him alongside Magneto as villains to write a song about. (He also references Crimson Dynamo.)
The MCP wants Iron Man to attend the wedding in the middle of the events of this issue. I don’t see why it can’t just be before this issue. Maybe I’m missing some subtlety. As the issue opens, he’s spent weeks working on this sub-miniature reverser. He could have taken a brief break to attend a wedding.
Continuity does get complicated here though. Avengers #20 is concurrent to Tales of Suspense #70. Avengers #19 takes place in the middle of the Hydra Saga, yet Tony Stark’s life gets complicated starting now, so issue 69 or before is the best chance for his appearances in Strange Tales, including his appearances after the Hydra saga. And of course Iron Man shares a comic with Cap. As Nick Fury does with Dr. Strange, the latter of which we are months behind on reading.
For a reading order, we’ll read the Iron Man/Cap stories, then the Avengers stories, then the Dr. Strange/Nick Fury stories. But we’ll talk about what must be concurrent and what must fit where as we go.
Titanium Man is the Soviet answer to Iron Man. He issues a public challenge to prove Soviet superiority. Titanium is more powerful than Iron, so his armor is more powerful, but also slower and bulkier.
Featuring: Avengers Release: May 11, 1965 Cover: July 1965 12 cents Slyly written by: Stan Lee Smoothly drawn by: Don Heck Suavely inked by: Dick Ayers Superbly lettered by: Artie Simek Stoically read by: You (if you’ll ever turn the page…!) 20 pages
I thought our purpose was to battle crime! Why need we concern ourselves with international affairs?
Of all the stories in the early Marvel Universe, these Cold War stories are the worst across the board. The very worst are the Cold War stories set in Asia, as they tend to mix in racism with the blatant US government pro-war propaganda.
It’s awful because they are aimed at children, with the seeming intent to indoctrinate them into supporting the war in Vietnam or whatever else.
If you remove all the ways they are plainly awful jingoistic racist propaganda, they still tend to be prettyawfulnarratively. The closest thing to an exception is the recent Thor story, which did have an actual narrative about a conflict between brothers and a family divided because one brother joined the Viet Cong.
But maybe this story where the Avengers invade an Asian nation at random to battle their Communist leader and overthrow the government will be the exception.
Spoiler. It won’t be.
This story is interesting because it’s both forgettable and forgotten… at least mostly forgotten for about 55 years… until 2019 when someone decided it should be one of the foundational cornerstones of the entire history of the Marvel Universe.
Featuring: Iron Man Release: May 11, 1965 Cover August 1965 12 cents Edited by: Stan Lee (who hasn’t slept since!) Written by: Al Hartley (who could never sleep!) Art by: Don Heck (who was under sedation!) Inked by: Mickey Demeo (who couldn’t have visitors!) Lettered by: Sam Rosen (who knows!) 12 pages
This is the third Al Hartley story we’ve read. He wrote last month’s Giant-Man finale and drew a Thor story way back. He is a Marvel regular, just normally on the humor titles this blog hasn’t focused on.
We can still count on one hand the number of stories Stan hasn’t claimed writing credit on. But he gets his name at the top of the credits anyway.
From the title page, this almost seems like the same story as last issue. Last issue, Count Nefaria took over Iron Man’s dreams to make him fight visions of his enemies. Now it looks like Iron Man is seeing visions again. Turn the page, and we learn Count Nefaria is involved again.
Featuring: Iron Man Release: April 8, 1965 Cover: July 1965 12 cents Written by our roguish writer: Stan Lee Pencilled by our prankish penciller: Don Heck Inked by our impish inker: Mickey Demeo Lettered by our other letter: S. Rosen 12 pages
The drama from last issue continues. Happy has quit; Pepper is sad; she blames Iron Man.
Count Nefaria of the Maggia returns, but with a new gimmick and identity. He now calls himself the Master of Dreams. Perhaps also Dream-Maker or Dream-Master; Stan can’t decide from one page to the next. He controls Iron Man’s dreams and sends old foes against him; if Iron Man dies in the dream, he will die.
