betty dean – Coke & Comics

POSTLUDE: Marvels #1

A Time of Marvels

Featuring: Marvels
Release: November 9, 1993
Cover: January 1994
$5.95
Writer: Kurt Busiek
Artist: Alex Ross
Letters: Starkings w\ John Gauhsell
Editor: Marcus McLaurin
Assistant editor: Spencer Lamm
Editor in Chief: Tom DeFalco
Cover design & logo: Joe Kaufman
Interior Design: Comicraft
45 pages

Previous		Next
Human Torch #5	PRELUDE
Fantastic Four #27	Reading order	Sgt. Fury #8
Marvels #0	Marvels	Marvels #2

When this is over, I’d said. When would that be? It would blow over. The world wouldn’t stay like this. It couldn’t. Could it?

The 4 (or so) issues comprising this series are pretty close to being the best comics I have ever read. They inspire the journey we are taking here, where we read through the entire Marvel Universe starting in 1961, and I want them to frame the journey we are taking.

Through a man named Phil Sheldon, an “ordinary” photojournalist, we see a holistic view of all these many interconnected stories of Marvels, cohesing into a single narrative, leading us to understand that this world is not our own, and helping us imagine what it might be like to live in that world.

The tagline reads: “Experience the Marvel Universe from a whole new perspective– yours.”

We read Marvels #0 pretty early in the project, right after meeting the original Human Torch, who we introduced after meeting the new Human Torch.

Marvels #1 deals with Marvel’s Golden Age, stories from the 1930s and 1940s. We are reading it now in our reading order because we have met enough Golden Age heroes to justify it. Really, it comes down to the big three: Human Torch, Sub-Mariner, and Captain America. But our reading about characters like Angel, Electro and Black Widow will also help us appreciate the details.

And if there’s one word that can describe this comic, it’s “detailed”. Sitting in a hotel room in Dresden with the intent of doing a deep dive into this issue, I have the original comic in my hand, but also the recent annotated edition which can serve as a guide. Plus some Golden Age and other reference material.

With all that in front of me, I would like to look very closely at this comic; consider those details, and try to do so without losing sight of the powerful emotional journey in front of us, one that will seem very familiar in the year 2020.

I think I’ve already gushed at sufficient length over the creators Kurt Busiek and Alex Ross in our recent Astro City discussion, so we’ll jump right into the story.

A Time of Marvels

The bystanders had seen the stories in the paper– seen them, chuckled and dismissed them. But it’s one thing to read about the impossible– and another to look it in the face.

The story opens in 1939 with reporters talking about the tensions in Europe. Phil Sheldon is an ambitious photojournalist looking for an assignment overseas. His fellow reporter–resembling a young J. Jonah Jameson down to a well-placed shadow beneath the nose where Jameson’s mustache will eventually be–muses that one day he will be the one running the Bugle. Phil is off to cover a press conference with a scientist who he expects to be a crackpot, one Phineas T. Horton.

PRELUDE: Young Men #25, Story C

Featuring: Sub-Mariner
Release: October 26, 1953
Cover: February 1954
10 cents
By: Bill Everett
8 pages

We’re continuing to sample some of Sub-Mariner’s older adventures to catch us up on his history. We’ve read the start of his self-titled series, the conclusion of his self-titled series, and his return to comics in Young Men #24.

Why this next issue as well? Well, because I have it. I mentioned before that JC Penney put out an odd set of new printings of assorted classic Marvel comics, which I acquired as a young child. Young Men #25 was among the set. So I may as well include it.

PRELUDE: Young Men #24, Story C

Featuring: Sub-Mariner
Release: August 19, 1953
Cover: December 1953
10 cents
By: Bill Everett
8 pages

Young Men, there’s no need to feel down…

I can’t find any credit in the story, but it seems to be pretty clearly by Bill Everett.

The story is a mystery of sunken ships, but the teaser kind of spoils the revelation.

We last saw Sub-Mariner, or any of the superheroes from the company that tends to be called “Timely”, in 1949. In 1953, the company tends to be called “Atlas”, and they’re ready to give superheroes another try. At least briefly. Sub-Mariner will get new stories for about a year or so. This issue also sees the return of two of Timely’s other most popular superheroes.

PRELUDE: Marvel Mystery Comics #10

Well, that was anticlimactic.

The Result of the Most Famous Battle in Comic Magazines
Featuring: Human Torch and Sub-Mariner
Release: June 15, 1940
Cover: August 1940
10 cents
Credits: Bill Everett, Carl Burgos, and John Compton
1 page

No credits appear on the page. The art reminds me most of Burgos’ style. I borrowed the credits from the previous issue; the GCD agrees.

The finale of the epic is a single page. A single page.

Betty Dean finally gets her way and convinces Torch and Namor to call a truce. It makes sense for the fight to end in a draw, to disappoint neither set of fans. But letting Namor go is entirely unsatisfying. He crashed a train, flooded a tunnel. Who knows how many people died on his rampage?

PRELUDE: Marvel Mystery Comics #9

An epic battle between two Marvel superstars!

The Battle of the Comic Century!
Featuring: Human Torch vs. Sub-Mariner
Release: May 17, 1940
Cover: July 1940
10 cents
Credits: Bill Everett, Carl Burgos, and John Compton
22 pages

It’s not quite clear how Everett and Burgos split up the art duties. I’m sure they both pulled their weight, though most of the issue reminds me of Everett’s work.

John Compton is most likely on hand to assist with scripting. I don’t know my Golden Age creators well, so can’t tell you much about John Compton. And Google at a glance doesn’t know much more than me.

One thing to note about the very fancy title page is the phrase, “Marvel Comics Presents”. Almost seems anachronistic, as the company wasn’t yet called Marvel Comics (it still isn’t necessarily, even in 1963; every cover has that “MC” on it, but the word Marvel isn’t evident). Though it was the name of the first issue of this series, before the word “Mystery” was inserted. But it’s a very prescient phrase.

As I reflect, that title is a bit hard to parse. “The Battle of the Comic Century”. “Comic Century”. I might think they mean that this is the battle of the century told in comic form, or perhaps that this is the battle of the century, at least within comics. But it doesn’t really say either of these things. Perhaps they mean that the 20th century is the century of comics. Or perhaps that of the current century the comics are depicting, this is the great battle.

PRELUDE: Marvel Mystery Comics #8, Story B

Still not the big battle I was promised…

Featuring: Human Torch
Release: April 24, 1940
Cover: June 1940
10 cents
Credits: Carl Burgos
12 pages

The Human Torch has many nicknames for Namor: “water bug”, “water beetle”, “water rat”. Namor calls him “fire bug”. You can tell they’re not going to get along.

I really think that repairs can wait, Torch…

This story is a bit disappointing, as one may have expected it to continue the last one. It does not. It instead tells the events of the last two stories from the Torch’s point of view. But Torch is the less interesting character, and Burgos is the less talented artist.

PRELUDE: Marvel Mystery Comics #7, Story C

The surface world will feel Namor’s vengeful wrath.

Featuring: Sub-Mariner
Release: March 20, 1940
Cover: May 1940
10 cents
Credits: Bill Everett
10 pages

While The Human Torch stories have been very episodic, the Sub-Mariner stories have formed one continuing saga. Thus there’s no way to jump into them without feeling like we’re missing something. Nonetheless, I’m not looking to review every Golden Age Sub-Mariner story here. Just a couple to give us some context for the Marvel Age stories we are reading.

In this blog, we last saw Namor beginning a war against the surface world for crimes against his people. He’s cooled off and befriended Policewoman Betty Dean. He grew concerned about the war ravaging the surface world, and decided to take part. Sometimes, he seemed sympathetic to the Allied cause and sometimes merely to the cause of peace. He decided to try his hand at being a superhero, to convince the surface world of his good intentions.

He made a deal with the police commissioner to do some good works, but the commissioner still insisted he stand trial for his crimes. The jury found him guilty and sentenced him to death. Well, the electric chair did not kill him… it just made him angry. So his war against the surface will begin anew. That’s where this issue opens.

Namor informs his Emperor of his plans to destroy the entire continent after conquering New York. The Emperor offers the entire Sub-Mariner army, but Namor says he can handle it himself for now, as his vendetta is personal.