Featuring: Tales of Asgard Release: February 4, 1964 Cover: April 1964 12 cents Masterfully written by: Stan Lee Magnificently illustrated by: Jack Kirby Majestically inked by: Chic Stone Meritoriously lettered by: Art Simek 5 pages
This is how it all begins. Quite literally.
The story of Thor’s early days continues. He is now an adult and wields the magic hammer. We see now the story of the dawn of humanity on Earth, and Thor’s role in the tale.
The tale begins in the mountains of Asgard, where the dwarfs dwell. We are told the dwarfs forge all the weapons of Asgard. However, not quite all. We learned in the main story of this issue that Odin himself forged Thor’s hammer. That fact is affirmed in this very story.
Sindri is the king of dwarfs and has built the magical ship, Skipbladnir. It’s a tiny ship that magically grows to full-size when needed. Skipbladnir will transport Thor to Mirmir.
Featuring: Thor Release: February 4, 1964 Cover: April 1964 12 cents Written by: Stan Lee, master of fantasy Illustrated by: Jack Kirby, master of picto-drama Inked by: Chic Stone Lettered by: S. Rosen 13 pages
The phrase “feature-length” clearly means nothing to Stan. 13 pages is the same length the Thor stories have always been. It’s only half a comic.
I had some trouble deciding where it was best to read this story. I had originally posted it a little early, I decided, and moved it to where it fits in terms of publication dates, after the introduction of Black Widow. I’m not sure when it best takes place chronologically.
We start with Thor returning to the 20th century from the future, so there’s no time gap between the beginning of this story and Journey Into Mystery #102. Dr. Blake needs a nap, and we do have a short time gap before the main action of the story begins.
Featuring: Spider-Man Release: February 11, 1964 Cover: May 1964 12 cents Written in the white heat of inspiration by: Stan Lee Drawn in a wild frenzy of enthusiasm by: Steve Ditko Lettered in a comfortable room by: Art Simek 22 pages
We’re reading this story an entire month early. A few reasons for this. One is that a lot of plot and thematic elements remain unresolved from issue 11. So these two issues read well together. The other is that I’ll be shuffling around a lot of Avengers-related comics due to chronological complications, including Spider-Man’s upcoming guest appearance in Tales to Astonish. I’ll be pulling that story forward, which also pulls this story forward.
Since the Dr. Octopus subplot remains unresolved from last issue, I think it’s best if Spider-Man’s guest appearances with Human Torch or Giant-Man don’t break up these issues.
Just keep in mind this comic was actually was published after a lot of the exciting events we are about to read, including the return of Captain America, the introduction of Black Widow, the epic Thing/Hulk showdown, and the introduction of Daredevil. But I think it reads better before all that. So here we are.
This is actually one of my very favorite Spider-Man comics. Let’s dive in.
We see a Daily Bugle article in an unusual level of detail. Spider-Man is blamed for letting Dr. Octopus escape by interfering in police business. Jameson’s articles are often over the top, but this seems a reasonable assessment to me. Spider-Man is a child who barged into a delicate hostage situation. One person was killed and the villain escaped. We know he did his best, but he is an amateur. Nonetheless, Spider-Man is outraged by the article. He should perhaps instead be remorseful about Bennet’s death. That’s what happens when you provoke a criminal into wildly firing shots.
Featuring: Spider-Man Release: January 10, 1964 Cover: April 1964 12 cents None but Stan Lee could have written this epic tale!! None but Steve Ditko could have drawn such gripping scenes! Lettered by S. Rosen 21 pages
“None but Stan Lee could have written this epic tale!!” I don’t know, Stan. I have my suspicions that’s not precisely accurate. There’s at least one other person who could have, and perhaps did.
With a title like “Turning Point”, this is probably going to be good.
This story has been building for two issues now, and won’t quite resolve in this one. Let’s remind ourselves of what’s been happening.
Two issues back, Peter and Betty were getting closer, but Betty had concerns, and those concerns seemed to hint at larger troubles.
Last issue, we learn she had been in debt to a loan shark, which leads to her running afoul of the Enforcers. For Peter’s protection, she decides to leave town.
This issue, we see the return of Spider-Man’s greatest villain, Dr. Octopus. Dr. Octopus marks Spidey’s second recurring villain, after the Vulture. (Of course, not counting his persistent nemesis, J. Jonah Jameson.)
Featuring: Dr. Strange Release: January 10, 1964 Cover: April 1964 12 cents Story conjured up by: Stan Lee Illustrated by the Strange Sorcery of: Steve Ditko Lettered at midnight by: Art Simek 8 pages
This issue is most notable for finally giving a name to Dr. Strange’s house servant. His name is Wong.
We had seen him twice before but without being named. Here he is in #110 and #116.
Here he is in the Dr. Strange film played by Benedict Wong. Is it coincidental that Wong is played by a Wong? A glimpse at Wikipedia tells me that over 7% of people in China have the surname Wong or a variant. So it’s not an astronomical coincidence.
Featuring: Human Torch Release: January 10, 1964 Cover: April 1964 12 cents Written by: Stan Lee Drawn by: Dick Ayers Lettered by: S. Rosen 13 pages
No picture this time, but at least the covers are now consistently mentioning that Dr. Strange exists.
The title of this story is, “The Torch Goes Wild!” Not quite sure what that leads me to expect. Maybe Johnny will take his top off, show a little skin.
Our more observant readers might be wondering if we completely forgot about Avengers #4. We did not. For various reasons about story flow and chronology and such, we will be waiting a bit to read it. I promise a future post that explains all these decisions in excruciating detail.
Our story begins with Johnny having a bad day. Perhaps the Rabble Rouser is to blame.
The entire staff here at Coke & Comics would like to wish a happy birthday to Spider-Man, created 58 years ago today, June 5 1962.
Of course, it was a big day for Marvel, as they also introduced Thor and Ant-Man the very same day.
We don’t celebrate their birthdays today because of technicalities. I did some research and it turns out the character of Thor was actually introduced many centuries earlier. It’s only Marvel’s well-known version that was introduced in 1962. And while Dr. Henry Pym first donned the Ant-Man costume on this date, he himself was introduced almost a year earlier, a scientist with a shrinking formula who hadn’t yet thought to become a superhero.
To celebrate this auspicious occasion, we invite you to look back on the posts we made over a year ago, discussing the introduction of Spider-Man. And sure, of Thor and Ant-Man as well.
Featuring: X-Men Release: January 3, 1964 Cover: March 1964 12 cents Sensational script by: Stan Lee Dynamic drawings by: Jack Kirby Imaginative inking by: Paul Reinman Legible lettering by: Art Simek 23 pages
The Scarlet Witch seems to be wearing green on the cover.
Pedantic notice. The title of this comic is “The X-Men”. After 3 issues, I decided I was tired of typing that. It’s easier to just call it “X-Men”. I will be doing that from now on. Same for “The Avengers”. I’d already been doing that for “The Amazing Spider-Man” without really thinking it through.
I should be paying more attention to the taglines. They are dubbed “X-Men: The most unusual teen-agers of all time!” Last issue had the same subheading. In #2, it was “the strangest super-heroes of all time. The covers of the first two issues dubbed them the “strangest super-heroes of all”.
I feel it should be pointed out that we’ve already met some pretty darn unusual teenagers, notably Human Torch and Spider-Man. So the tagline may be somewhat hyperbolic.
This issue introduces the Brotherhood of Evil Mutants. Not what I would name my group of mutants. And it’s not clear who, if anybody, named them that. The cover of the comic and the title of the comic call the group that, but the group is not named within the story.
Professor X calls them “evil mutants”, but he has often referred to “evil mutants”. I could never tell if he was speaking generically, or specifically referring to Magneto’s group. I still can’t.
Designation issues aside, introducing a team of villains to battle the X-Men is a good idea, since they themselves are a team. It’s hard to show a team always fighting against a single individual, even though that’s mostly what the Fantastic Four have done. It’s a bit surprising they are yet to come up with a team of villains for them. They’ve come close. Red Ghost had his Super Apes, and that was now four, er, members who could each match one member of the FF. But I have trouble counting that as a team since they are apes. Dr. Doom recruited the Terrible Trio, so again we had 4 people, each meant to face off with one FF member; but that was not so much a team of super-villains as it was Doom and three henchmen.
Featuring: Wasp Release: January 3, 1964 Cover: April 1964 12 cents Dreamed up by: Stan Lee Scribbled + sketched by: Larry Lieber Finished in India ink by: Sol Brodsky Lettered + bordered by: At Simek 5 pages
Last issue, Porcupine seemed very interested in trying to learn Giant-Man’s secret identity. But Wasp’s mask has never covered her face and she doesn’t seem that concerned about her secret identity.
In fact, here we see her babysitting a friend’s child in costume. He refers to her as “Aunt Jan”. Maybe Porcupine wasn’t the genius he thought he was. It’s like thinking people somehow knew Sue was Invisible Girl but not that Johnny was Human Torch.
Featuring: Giant-Man and Wasp Release: January 3, 1964 Cover: April 1964 12 cents Daringly written by: Stan Lee Dramatically drawn by: Don Heck Deftly lettered by: Art Simek 13 pages
The placement of this story is tricky. Where we have it, Hulk and Namor are still on the loose, so this is no time for Wasp to be talking about a vacation. Doesn’t mean she wouldn’t be. Hank does note they don’t have time for a vacation. I choose to treat this as a veiled reference to the whole Hulk/Namor situation, whether intended or not.
On the subject of chronological concerns, notice Giant-Man is in his older outfit, last seen in issue 51. This indicates to me that he alternates between the outfits. In reality, the outfit seems to correspond to the artist. Ayers drew the issues with the thick suspenders. Kirby and Heck seem to be drawing Giant-Man with the lighter stripes. They will all eventually converge on thicker suspenders.
We see some pretty rough play between Giant-Man and Wasp. It seems to be all in good fun, but may be early warnings of an abusive relationship forming.
