Featuring: Tales of Asgard Release: August 2, 1966 Cover: October 1966 12 cents A Stan Lee-Jack Kirby production Inked by: Vince Colletta Lettered by: Sam Rosen 5 pages
From out of the mists she hath come… She… before whom all who live must one day bow!
As we saw in the last post, my version of this comic has been well looted of pages, and this entire story has been absconded with. So we’ll look to the digital version for our images.
The battle with Harokin and his Warlock’s Eye to retake Muspelheim was entirely forgettable. But it led to this fairly unique coda, two issues devoted to the death of Harokin. Last issue was an ominous and ritualistic issue about acceptance of death. A drumbeat, an approaching black horse…
Featuring: Thor Release: August 2, 1966 Cover: October 1966 12 cents Star-studded script: Stan Lee Planet-pounding pencilling: Jack Kirby Real Rigellian rendering: Vince Colletta Lots of little lettering: Artie Simek 16 pages
Every part of this planet upon which we stand is verily a part of Ego! He is everywhere– he is everything! He is a living world!
I’d like to say I own this comic, but really I own some fraction of this comic, as a lot of pages have been ripped out of my copy. I’m sure I didn’t know that when I bought it. I’m not too picky about condition. I look for “readable” copies… but readable includes having all the pages.
Wonder what I paid for it. I have no idea because I have tens of thousands of these things. Not even sure where I bought it. Probably at some comic convention with a couple hundred other comics I thought would help me complete the Marvel Universe so that one day I could read through all of them in order. Presumably it was pretty cheap– that’s what I was always looking for.
I spoke at length about how cool I thought it was when Ditko introduced a being that was also a universe. So of course I also think it’s cool when Kirby introduces a being who is also a planet. Not as cool as being a universe, of course. But still cool.
Thor is also impressed, and you figure this is a guy who’s been around and seen some stuff. He says that the planet developed a face right in front of them and then they heard it speak.
Now, even if a planet could speak, there’s presumably no way it could transmit that voice across space. Unless the substance of this Black Galaxy is really different from our universe. Or unless the planet is broadcasting its speech through some other means than sound, some form of transverse wave.
Reminder of where we are. Tana Nile has conquered Earth via a Space Lock. The Space Lock was controlled from Rigel, so Thor went there to free Earth. The Rigellians agreed to free Earth if Thor dealt with the menace of the Black Galaxy. So here is Thor, accompanied by a Recorder, confronting Ego, the living planet.
Featuring: Tales of Asgard Release: June 30, 1966 Cover: September 1966 12 cents Script writing: Stan Lee Picture drawing: Jack Kirby Panel inking: Vince Colletta Word lettering: Sam Rosen Armor polishing: Irving Forbush 5 page
Already the Stygian darkness looming ahead… blotting out the comforting glow of a thousand stars…!
Where were we. While Thor was fighting Pluto in the Netherworld, Jane’s roommate Tana Nile sent her away with mind control. Tana Nile has since been revealed as a Rigellian and conquered earth via a Space Lock from Rigel. Thor has traveled to Rigel to destroy the Space Lock.
The Rigellians have some pretty advanced technology, and aren’t used to losing. But Thor is Thor.
So! Thou wouldst trifle with Volstagg? Know you that my very belly is more than a match for a dozen such as thee!
It’s been a minute. We were in the middle of the Harokin/Warlock’s Eye saga. I’ve decided not to worry about the flow of the Tales of Asgard feature, and just read them as back-ups to the Thor comics, as they were published. So because we paused Thor’s story in the main stories, we paused here.
But now it’s been 9 months and we need to remember things. Harokin has used the Warlock’s Eye to conquer Muspelheim. Thor looks enough like Harokin that he thinks he can disguise himself as Harokin and do some subterfuge.
Ay! The gladness in his heart doth make mine own regal soul rejoice! Too long hath he been brother to sorrow! Too long hath grim duty o’ershadowed his days! Yet, a feeling of unease lies within my heart! I fear that happiness may still be denied to the so-richly-deserving, most noble Thor!
Thor’s comic has become one ongoing saga to the point where it’s hard to figure out where to cut. We obviously did cut after the last issue, which basically ended the Hercules/Pluto saga. But here we are picking up right where that left off, with Thor and Hercules returning from the Netherworld to Olympus.
We’re just going to plow through the next 6 issues of Thor, getting a bit ahead in time of the rest of the Marvel Universe. There are probably 3 distinct arcs among them, but they all just flow together. Really, the main plot of this issue has been building for a bit now. Jane has had a strange roommate named Tana Nile, who’s up to some stuff. It’s been in the background, but now comes to the foreground. And Jane’s encounter with Tana Nile will be the springboard for the next two arcs.
Of course the other springboard is Thor’s decision to marry Jane, even though a god and a mortal may not marry. Thor is ready to surrender his immortality for this.
Featuring: Sgt. Fury and his Howling Commandos Release: May 10, 1966 Cover: July 1966 12 cents Exquisitely non-edited by: Stan Lee Ecstatically scripted by: Roy Thomas Excitedly drawn by: Dick Ayers Elatedly inked by: John Tartaglione Eventually lettered by: Sam Rosen 20 pages
“Now lissen, ya blasted goldbricks, and lissen good! This medic’s come all the way from the States to find out what makes us Howlers tick, an’ anybody that gives him trouble will answer to me! The doc’s here to see to it that none’a you jaw-flappin’ hyenas conks out on a mission! Like the sayin’ goes, a chain’s only as good as its weakest link!” “Ain’t that pretty, Reb?” “It sho’ nuff is, Gabe! Hey, Sarge… y’all think up that li’l ol’ speech by yoahself?” “Shuddup!”
Stan has something of a mixed reputation amongst fans today. One of the common complaints against him is that he took more credit than was due, that he accepted the credit and pay of a writer on works where his role was closer to that of an editor.
As he’s been handing off scripting duties to folks like Thomas and O’Neil, he’s stopped taking writing credit. But still gets his name first in the credits, now as an editor. (Interestingly, Roy Thomas is facing a bit of controversy lately for claiming to much creative credit from his later role as an editor.)
Amusingly, the credits admit Stan is now on vacation and wasn’t able to edit this particular book. So he claims credit for not editing the comic.
And still gets his name at the top of the credits!
We’d recently read a Daredevil comic from the same month where O’Neil had to finish the script because Stan took a vacation.
This actually may be the first comic we’ve come across that Stan Lee claims no credit for.
It’s possible this was Stan’s first vacation in five years.
Featuring: Spider-Man Release: June 9, 1966 Cover: September 1966 12 cents Writer: Stan Lee Penciller: John Romita Inker: Mickey Demeo Letterer: Sam Rosen 20 pages
And so, at long last– The Green Goblin will introduce himself– Take a look, Parker– a good, long look– It’s the last face Spider-Man will ever see– It’s the real face of the Green Goblin– the face of [SPOILER REDACTED]
Steve Ditko has officially left Marvel, which won’t leave me with too many other excuses to bring up Steve Ditko. However, this is the first issue of Spider-Man to not be drawn by Steve Ditko. Which is a fine excuse for bringing up Steve Ditko.
Among those interviewed was Steve’s younger brother, Patrick Ditko, who passed away just last month.
I’ve made no secret how much I love Steve Ditko’s work on Amazing Spider-Man, and have spent this blog clumsily trying to explain why over 38 issues worth of posts. Perhaps this characterization of Spider-Man from the Rolling Stone article gets to the core of how I see myself reflected in the character.
He lacked social skills.
A more charitable interpretation of my own character is perhaps found in their characterization of Steve Ditko as a man…
…who never fit into social norms, yet cultivated thriving relationships.
They go on.
Similar to how Peter Parker never lets loved ones get too close for fear it would put them in danger, Ditko compartmentalized his life, keeping work and family distinct to retain some power in a world that overwhelmed him. And the same way Spider-Man’s neuroticism makes him amazing, the traits that people marginalized Ditko for are what transformed comics forever.
…he had much more in common with his most popular co-creation, Spider-Man, especially his alter ego, Peter Parker. They had the same lanky build. Same comb-over. Same thick glasses. Same bumbling social skills. Ditko’s senior-yearbook photo could have been Parker’s. With their collared shirts and slacks, it looked as if they shopped at the same clothing store —
The late comics retailer Bob Beerbohm assembled this high school photo of Ditko next to high school Peter Parker. Perhaps there is a lot of Ditko in Peter.
So what then is Spider-Man without Steve Ditko? Is the series over?
In some sense, it is plainly not. We have here issue 39. Stan Lee continues to write the comic and has found a new artist to draw it (and probably soon to do most of the writing as well).
If issue 38 was the ending, it wasn’t a clean one. Lots unresolved. Betty is missing. Gwen and Peter are growing closer. Norman Osborn is up to some shady stuff. We never learned the secret of the Green Goblin.
Some say the reason Ditko left Spider-Man is because he and Stan disagreed over the secret of the Green Goblin. We’ll reflect on that at the end of the post.
For now, let’s see what life after Ditko looks like for the Amazing Spider-Man.
John Romita is on art. Unlike Ditko, he tends to draw good-looking people. His career in advertising taught him well to draw good-looking people.
Featuring: Fantastic Four Release: May 10, 1966 Cover: August 1966 12 cents Script: Stan Lee Art: Jack Kirby Inks: Joe Sinnott Lettering: Artie Simek Native Dances: The Ballet Forbush Terpsichorean Troupe 20 pages
From this moment forth– I live with but one thought– one aim– one goal!! This deed must be avenged! Klaw shall pay– in full measure! I shall be as strong– and as fearless– as the sacred Black Panther!! This do I swear to T’Chaka– my father who is no more!
I’m sure my highly literate readers don’t need me to tell that that terpsichorean means “referring to dancing”. It’s obviously not a new word to me either, as I’ve read this comic plenty of times before. But this was the first time I bothered to look it up.
Thing is perplexed by the contrast between the advanced scientific gizmos and the primitive customs. Perhaps he should reflect on what it means to be primitive. Maybe he is the primitive one?
