The Human Torch In the Clutches of the Puppet Master!
Featuring: Human Torch Release: October 8, 1963 Cover: January 1964 12 cents Written by: Stan Lee Drawn by: Dick Ayers Inked by : Geo. Bell 13 pages
Can’t say I care much for the Ayers/Roussos team on art. Not sure what they’re doing in their rendering of the Thing.
Stan gives an acknowledgement this issue that the story is inspired by an idea from Tommy and Jimmy Goodkind. These were the children of a friend of Stan’s, who lived in his neighborhood.
Featuring: Spider-Man Release: October 8, 1964 Cover: January 1964 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: Steve Ditko 6 pages
This is Kirby’s third comic story featuring Spider-Man. All 3 have had Ditko on inks. Of course, he also drew the cover of Spider-Man’s first appearance. Also with Ditko on inks.
This is a pretty slight story. A piece of frivolity squeezed into the back of an issue. Spider-Man and Human Torch annoy each other.
Their antics lead to Spider-Man fighting with Mr. Fantastic and Thing as well. Fighting is what superheroes do when they meet.
Featuring: Fantastic Four Release: October 8, 1963 Cover: January 1964 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: G. Bell 22 pages
Happy birthday, Mom!
Lee and Kirby put their heads together to solve a problem that’s plagued this series since the beginning: Sue.
Readers have written in to complain. Lee and Kirby even had Reed and Ben respond in-story to their complaints. They listed everything Sue had accomplished with her powers, but also compared her importance to that of Lincoln’s mother and claimed her place was to help morale. Stan even had a poll as to whether she should even stay on the team. Readers voted overwhelmingly in her favor.
But there are genuine problems with her, at least 3. The first is that Lee is very bad at writing female characters. Not sure how to fix that. Maybe hire a single female writer or artist? Perhaps you could lure Ramona Fradon away from DC. There’s a woman named Marie Severin who I think is presently working on the production end of your comics. Perhaps she could help.
The second is that all the female characters feel like tokens. They have 3 superhero teams, each with precisely one female character. The Avengers are four extremely powerful males and a woman the size of a wasp. They will soon introduce the Brotherhood of Evil Mutants, again with one female. When we get an all-new team of Avengers in a dozen issues, it will again consist of exactly one female. This is a clear problem with their titles.
The final problem is her powers. Invisibility can be handy, but its uses in a fight are limited. It’s just not a very offensive power.
It’s this final problem they tackle this issue. They will expand the limits of her invisibility powers to actually make her a formidable fighter. This is a good step in the right direction.
Featuring: Avengers Release: September 29, 1999 Cover: October 1999 250 cents Written by: Roger Stern (filling in for Stan Lee) Art by: Bruce Timm (filling in for Jack Kirby) 24 pages
The cover promised us a mystery villain, but I feel like the opening page spoils the surprise a bit by putting his name in the title. Even if I missed that clue, the villain would be revealed by page 3. Spoiler: It’s Doctor Doom.
Roger Stern is a nerd who grew up reading and obsessing over these same comics we have been reading, so the comic of course slides perfectly neatly into our continuity. It references stories we’ve recently read, and has all the characters right where they should be in their various arcs.
Featuring: Human Torch Release: August 8, 1963 Cover: November 1963 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: Dick Ayers 18 pages
Why did we choose now to review the origin of Captain America? Because Captain America is returning. “From out of the Golden Age of Comics”, the cover says. Not sure if we’ve yet seen that term in our reading. The era we are reading has been dubbed the Marvel Age.
Weird that he’d choose the Antique Auto Show of Glenville, Long Island to make his return after a decade-long absence.
Captain America and Human Torch get into a fight. Superheroes often do that when they meet.
Featuring: Fantastic Four Release: July 9, 1963 Cover: October 1963 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inking: Dick Ayers 22 pages
This bears some resemblance to the Iron Man story where he traveled to Ancient Egypt to battle a time-traveling Pharaoh (Pharoah?). Of course, this is much better.
Mr. Fantastic deduces from some museum hieroglyphs that blindness had once been cured in Ancient Egypt. So the Fantastic Four return to the castle where they first met Dr. Doom, where we find his time machine has just been sitting there this whole time. They use the machine to travel to a time when Egypt was ruled by Rama-Tut, who came from the future. Similar to Zarrko, Rama-Tut has been bored with the peace of his time and craved adventure.
Attempting to reflect on what future comics will do with this story hurts my brain. There will be contradictions and explanations. Rama-Tut will be connected to several other time-traveling characters. And they’ll further explore this moment in history to learn Apocalypse, Dr. Strange, and the Avengers are lurking around behind the scenes. We’ll spend no more time on such reflections until we need to.
Featuring: Spider-Man Release: July 9, 1963 Cover: October 1963 12 cents Written by: Stan Lee Drawn by: Steve Ditko 21 pages
The opening page tells us the names of many characters, two named for the first time. We learned last issue that Peter’s blonde classmate was named Liz. We now get the full name: Liz Allan. Last issue, we met Jameson’s secretary Miss Brant. We learn on that first page her name is Betty.
We’ve now seen plenty of crossover amongst the heroes of the titles; now they’re starting to share villains. One week earlier, Thor brought his archfoe Loki along with him for Avengers #1. Now, the Fantastic Four will lend their favorite villain to Spider-Man. Of course, they’ll also be showing up to lend a hand.
Because they’re borrowing a villain, this is the first issue of Amazing Spider-Man where Ditko doesn’t create a timeless villain. He’ll get back to that practice next issue.
Perhaps for that reason or others, this is one of the weaker Spider-Man stories yet. Of course, a weak Spider-Man story is still on par with the best of the other titles.
They summarize Doom’s most recent appearance in Fantastic Four, showing tight continuity. Also taken from Doom’s previous appearance is his use of robot doubles.
We reach the 100th story in our Marvel reading. Quite the milestone. And what a story it is. Coincidentally, the 100th Marvel Universe story, by my count, is Avengers #1. Did I plan it that way? No. Well, at least not exactly. Six different comics came out this very same day, and it was mostly up to me what order to read them in. The 100th story could just as easily have been X-Men #1 if I’d wanted. But I made that #99. Because.
[Big asterisk on the last paragraph. I have since edited my own reading order to make this story an unexciting story #94. But it was #100 when I first posted it. Now that honor goes to Journey Into Mystery #97]
And what a day for comics. The first Fantastic Four annual had Namor find his people and declare war on the surface world. That’s cool. Sgt. Fury met Reed Richards for the first time. That’s cool. The X-Men were introduced! We read the worst story yet as Thor battled Merlin. That’s… less cool. But overall an exciting day.
Including this. Really, what it’s all been building up to. Why I’ve been intermixing Thor and Iron Man stories, acting like they’re somehow connected even though they clearly haven’t been. This is the heart of it all. Five heroes we’ve been reading about team up. Also, the Fantastic Four show up for good measure.
And, as we’ve discussed, my first comic ever was an Avengers comic. So I’m excited to have reached this milestone.
Featuring: Fantastic Four Release: July 2, 1963 Cover: 1963 25 cents Written by: Stan Lee Drawn by: Jack Kirby Inking: Steve Ditko 6 pages
This is a very odd story. Something of a remake. It takes pages 2-4 of the second story from Amazing Spider-Man #1 and redraws them, expanding the story to 6 pages. This time, drawn by Kirby and inked by Ditko.
I don’t know why. The opening editor’s note claims it’s because fans demanded it, but Stan Lee always claimed that fans demanded everything. In the original, each member takes one go at Spidey. This time, each gets two.
Sue has a different haircut and each artist renders her invisibility differently. Ditko makes her shape clearer. In contrast, it’s Kirby who more clearly renders Johnny’s outline when he’s aflame.
Rather than offer any commentary of possible general interest to a story we’ve already talked about, I’m going to focus on the academic, and just give a full comparison of the stories. Some dialogue is copied, some slightly changed, some original. Some panels are new, while others closely match original panels. All seem redrawn from scratch.
Featuring: Fantastic Four Release: July 2, 1963 Cover: 1963 25 cents <– whoa! Written by: Stan Lee Drawn by: Jack Kirby Inking: Dick Ayers 37 pages
We just read no less than 5 Sub-Mariner stories from the ’40s and ’50s to have some context for this giant-sized Fantastic Four/Sub-Mariner epic we are about to read. At 37 pages, this is the longest story we have yet read. And at 25 cents, this and the Strange Tales annual are the most expensive comics we’ve come across by a factor of 2.
When Sub-Mariner returned in Fantastic Four #4, he learned that his kingdom had been destroyed and his people were missing. He’s been searching for them ever since. Until now.
Quite the opening couple pages. The bold imagination on display is Kirby at his best. But we haven’t seen that much of his true potential yet in these stories. He’s just been getting warmed up.
The Fantastic Four decide to take a vacation along with Alicia. Reed’s suggestion is to take a cruise to where some sea monsters have been sighted.