betty ross – Page 2 – Coke & Comics

Tales of Suspense #64, Story B

Among Us, Wreckers Dwell!

Featuring: Captain America
Release: January 12, 1965
Cover: April 1965
12 cents
Writer: Stan Lee
Illustrator: Jack Kirby
Delineator: Frank Ray
Letterer: S. Rosen
10 pages

Previous	#317	Next
	Prelude	Captain America Comics #1, Story C
Tales of Suspense #64	Reading order	Strange Tales #131
Tales of Suspense #64	Tales of Suspense	Tales of Suspense #65

This is an extremely close retelling of the second story from Captain America Comics #1, which we covered back when Captain America first returned in Avengers #4.

The original story is most notable for being Captain America’s first case and for introducing Betty Ross.

I see I didn’t go into great detail on the plot in that post, writing this:

The story of the comic doesn’t make any sense whatsoever. I can’t begin to try to explain it and I’m not sure it’s worth considering all the many ways in which it makes no sense. Suffice it to say they stop the bad guys.

We’ll delve deeper here.

Last issue was a close retelling of the first story from Captain America Comics #1, which was the story of Captain America’s origin. Next issue will be a retelling of Captain America’s first battle against Red Skull from the same issue. It makes sense why one might want to revisit those two stories. And then there’s this one.

The original stories are by Joe Simon and Jack Kirby. Joe Simon’s name should probably have been in the credits of this comic, as it’s based so closely on his original story. The plot owes more to Simon than many of the comics Stan Lee claims “plot” credit on owe to Stan.

My issue with the original is that I didn’t really understand what Sando and Omar brought to the scheme. There were Nazi saboteurs in America successfully blowing things up. Why have a member of your crew go onstage and warn people about the attacks in advance by pretending to be psychic? The comic didn’t really try to explain.

Let’s compare the new one to the original. The first thing we will notice is the new one fits into very regular grid patterns that make it easy to crop out groups of panels. The original felt bound by no such structure, so the croppings will all be imperfect.

Looking to the opening splash pages, the crystal ball image is very close. The changes fit Kirby’s more dramatized style and generally make a more modern splash page. Omar is a little less freakish in the new one. The biggest loss is Sando, whose fingers had an unusual positioning in the original, almost suggesting his role as puppeteer. Kirby opted for a more standard-for-Kirby dramatized positioning.

The modern comic claims to be “introducing” Sando and Omar. This seems blatantly false, as they were obviously introduced 25 years earlier.

Tales to Astonish #62, Story B

Enter… The Chameleon!

Featuring: Hulk
Release: September 1, 1964
Cover: December 1964
12 cents
Sensationally scripted by: Stan Lee
Dynamically drawn by: Steve Ditko
Impeccably inked by: George Bell
Lovingly lettered by: Sam Rosen
10 pages

Previous	#268	Next
Tales to Astonish #62	Reading order	Fantastic Four #32
Tales to Astonish #62	Tales to Astonish	Tales to Astonish #63

Even if he escapes this mess, the status quo is unsustainable. If Hulk might revert to Banner at any moment and has no control… he can’t keep that identity a secret.

In a recent issue of Amazing Spider-Man, we remarked the Enforcers were distinguished from other super-villains in that they were content to be lackeys, serving a major super-villain. Most of the super-villains are to arrogant to serve anybody, a plot point whenever two try to team up. The other “lackey” villains we’ve met are Dr. Doom’s Terrible Trio and Magneto’s Evil Mutants. The Terrible Trio tried to make the leap from lackeys to being their own bosses with limited success. Magneto’s mutants only serve him, while the Enforcers are clearly for-hire.

Chameleon is the first villain we see make the leap from super-villain to lackey. He’d teamed up twice with Kraven, but those seemed more like partnerships. Now, he works for the Leader. Chameleon has been getting around. Originally a Spider-Man foe, he recently fought the Avengers, and now faces off against Hulk.

More than the major crossovers, I like the cameos. I like that Captain America can just show up for a panel if the story calls for it. Makes the universe feel cohesive.

I’m loathe to call this the introduction of the Leader since we don’t see his face. I suspect Ditko hadn’t even finished designing him yet.

Tales to Astonish #61, Story B

Captured At Last!

Featuring: Hulk
Release: August 4, 1964
Cover: November 1964
12 cents
Author: The incomparable Stan Lee
Illustrator: The inimitable Steve Ditko
Inker: The indescribable George Bell
Letterer: The inevitable S. Rosen
10 pages

Previous	#266	Next
Tales to Astonish #61	Reading order	Tales to Astonish #62
Tales to Astonish #61	Tales to Astonish	Tales to Astonish #62

Last issue, Bruce Banner built a robot. (They call it a robot, but it’s more like Iron Man’s armor, since somebody needs to be inside to pilot it.) An unnamed spy stole it. Hulk fought the “robot” to a stalemate. The robot escaped. Since the story didn’t end there, it might have been nice to read this next chapter immediately. Except… this Hulk story will basically never end. So we take the breaks where we can.

The robot has now found Hulk’s secret cave laboratory. Ditko really likes the shot of Hulk’s visage standing over Bruce’s shoulder.

Meanwhile, we meet Major Glen Talbot. He’s in charge of security now and suspects Bruce Banner is a traitor due to a pattern of suspicious behavior General Ross had noted. The Pentagon agrees with Ross’ assessment that Banner should be investigated.

Tales to Astonish #60, Story B

The Incredible Hulk

Featuring: Hulk
Release: July 2, 1964
Cover: October 1964
12 cents
Written by: Incredible Stan Lee
Illustrated by: Incredible Steve Ditko
Inked by: Incredible Geo. Bell
Lettered by: Inedibile S. Rosen
10 pages

Hulk was the first character to ignomiously get his title cancelled; he’s also the first character to get his own title back.

Well, sort of. Originally, he starred in a series called The Incredible Hulk, dedicated entirely to him. That’s a lot of pages to fill for a character whose creators seemed to have no idea what to do with him.

Now he gets 10 pages in the back of Tales to Astonish, a title he will be sharing with Giant-Man and Wasp, taking the place of Wasp’s solo features.

“Can a man with green skin and a petulant personality find true happiness in today’s status-seeking society?”

See, for as long as we’ve been reading, Marvel has had distribution issues which have artificially limited the number of titles they can produce in a month. They are ready to start featuring more of their characters, but that will require characters to share titles.

Hulk went about 18 months without his own series, but he never really disappeared. He’s been a frequent guest star and antagonist in many a title. He’s remained a fixture of the Marvel Universe, even without his own comic.

Last issue was a feature-length story featuring both Giant-Man and Hulk. That was the subtle lead-in to the new title-sharing status. Soon we’ll see a feature-length Iron Man story which co-stars Captain America. We’ll see where that will lead.

Tales to Astonish #59

Enter: The Hulk

Featuring: Giant-Man and Wasp
Release: June 2, 1964
Cover: September 1965
12 cents
Rapidly written by: Stan Lee
Dashingly drawn by: Dick Ayers
Instantly inked by: P. Reinman
Lazily lettered by: Art Simek
18 pages

Art Simek’s lettering is referred to as “lazy”. Indeed, he seems to have forgotten Paul Reinman’s name, crediting him as R. Reinman, rather than the usual P. Reinman.

This is Ayers’ first time drawing the Hulk. In fact, it’s the first time anybody but Kirby or Ditko has drawn the Hulk.

It’s clear that prior to this point, Hulk is not yet the character modern readers (or TV viewers or moviegoers) have come to know. Steve Ditko will take over the art/plotting duties on Hulk’s new ongoing series, and often gets the credit for inventing Hulk as we know him. But it seems to me all the groundwork is laid right here by Lee and Ayers. This issue introduces a more recognizable version of Hulk.

For several months, Hulk has been bouncing title to title (Avengers, Fantastic Four, Amazing Spider-Man) ever since his own series got cancelled a year earlier. This guest appearance in Giant-Man’s comic is his final bounce, and a transition into the return of his ongoing solo adventures in this very title. This is why they cancelled Wasp’s solo adventure backups, to make room for Hulk’s return. And this time, Hulk’s series will endure for a long time.

They refer to Hulk as the “Jolly Green Giant”. Think they took that name off a mascot for canned vegetables.

Besides being the lead-in to his new series, this is a significant issue for Hulk. We learn his full name for the first time: Dr. Robert Bruce Banner. This explains why Stan sometimes called him Bruce and sometimes Bob. I had assumed Stan just got careless with details.

Avengers #5

The Invasion of the Lava Men!

Featuring: Avengers
Release: March 3, 1964
Cover: May 1964
12 cents
An epic tale told with high drama and heroic dignity by: Stan Lee
Illustrated with deep sincerity and dazzling beauty by: Jack Kirby
Inked by: Paul Reinman
Lettered by: S. Rosen
23 pages

Rick Jones gets his name on the cover and on the opening page alongside the book’s actual stars. He i fact is given billing over Giant-Man and Wasp in both places. His placement suggests he comes with Captain America, as though they are partners.

This tale is getting closer to what I feel like a traditional Avengers tale should be. There should be some menace to the world, a threat so great that no single hero can stand against it. Mostly so far, they’ve just fought Hulk over and over again. And he just wants to be left alone.

In this issue, the Lava Men invade Earth. When last we met them, they were referred to as Lava People; not sure how the unneeded gendering crept in.

Almost what I’m looking for. Only two problems. The first is that the Lava Men/People invaded before and Thor stopped them all by himself. So it’s not clear they’re an Avengers-worthy threat. The second is that in addition to fighting the Lava Men, the Avengers also all attack Hulk again. They really should just give the guy a break. This is now their fifth battle with the Hulk, and they all end in a stalemate.

PRELUDE: Captain America Comics #66

Golden Girl!

Featuring: Captain America
Release: March 1, 1948
Cover: April 1948
10 cents
12 pages

I don’t see any credits in the issue, so I’ll refer you to the GCD for their take on attribution.

Captain America and Bucky are tracking a villain named Lavender and catch up to her during an ambergris heist.

I did not know anything about ambergris before reading this comic. Apparently, it is fecal matter occasionally released by sperm whales who have digested squid. It was used for centuries to make perfume and is extremely valuable. It has been illegal to buy or sell in America for about 50 years now, but apparently was not illegal in 1948. Hence, Lavender plans to steal some.

PRELUDE: Captain America Comics #2

The Ageless Orientals Who Wouldn’t Die

Featuring: Captain America
Release: February 10, 1941
Cover: April 1941
10 cents
By: Joe Simon and Jack Kirby
15 pages

This comic was released on my birthday, just 40 years early.

Our buildup to Avengers #4 continues.

Once again, the cover of the comic shows Captain America directly confronting Hitler, this time without the satisfying sock to the jaw. The interior of the first issue disappointed, as Captain America and Hitler did not actually meet. This issue will rectify that, but not with this story. We’ll see Hitler in the next post, concerning “Case No. 2”.

The title of the story alone–“The Ageless Orientals Who Wouldn’t Die”– tells you that this comic is probably extremely inappropriate, and it is. Popular culture depictions of Asian characters were problematic for decades. This comic at least only features giants, not meant to represent actual people.

PRELUDE: Captain America Comics #1, Story B

Case No. 2

Featuring: Captain America
Release: December 20, 1940
Cover: March 1941
10 cents
By: Joe Simon and Jack Kirby
7 pages

The issue’s Table of Contents lists each chapter as a “Case”. The first was “Case No. 1”. This story is “Case No. 2”. Cases 3 and 4 seem to have actual titles, but this one does not.

We read the first “Case” in this comic a little while ago, because I thought Captain America was returning in Strange Tales #114. I was mistaken. I was fooled by the Acrobat in disguise, just like the whole town of Glenville. But I just peeked at the cover of Avengers #4, and it looks like this time Captain America is really going to return.

Yes, I know the old saying. “Fool me once, shame on… shame on you. Fool me… can’t get fooled again.”

But I have a really good feeling that this actually is Captain America. Hence, I would like to review a smattering of his 1940s and 1950s appearances to get a sense of who this fella is and what’s he’s about.

This story is notable for being the first mission of Captain America and Bucky. We learned their origin in “Case No. 1”. Now it’s time for them to go into action.

It’s 1940. Europe is at war. America has stubbornly remained neutral. But there are Axis spies and saboteurs on the homefront, and Captain America and Bucky are ready to deal with them.

Incredible Hulk #6

Steve Ditko fills in for Hulk’s final issue.

The Incredible Hulk vs The Metal Master
Featuring: Hulk
Release: January 3, 1963
Cover: March 1963
12 cents
Story: Stan Lee
Art: Steve Ditko
24 pages

I read this story in Incredible Hulk Omnibus vol. 1.

All good things must come to an end. Turns out things like this series also come to an end.

The great Steve Ditko takes over for Jack Kirby for the first full-length Hulk story since the second issue, and what is also the final issue of Incredible Hulk. Though no hint of that ending can be found in the cover or the letters pages. There simply isn’t an issue 7.

This Ditko guy draws a pretty good Hulk.

Perhaps it’s for the best. The first issue was one of the best comics we’ve read and showed so much potential. A dark psychological sci-fi drama, with elements of Frankenstein and Dr. Jekyll & Mr. Hyde. That potential was squandered on constant tweaks to the character, a series that had the feeling of throwing things at the wall until something stuck, then giving up when nothing stuck. It will take Steve Ditko to reshape the character into a more enduring form, but he won’t get a chance to do that now, as the series is being cancelled.